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  <entry>
    <id>https://petermolnar.net/journal/gran-canaria/</id>
    <title>Gran Canaria</title>
    <updated>2026-09-23T12:03:42+00:00</updated>
    <published>2026-09-22T18:25:00+01:00</published>
    <author>
      <name>Peter Molnar</name>
    </author>
    <link href="https://petermolnar.net/journal/gran-canaria/" rel="alternate" type="text/html"/>
    <category>journal</category>
    <summary type="html">5 (3.5) days of re-learning to not focus in order to hear the voices in my head again</summary>
    <content type="html">5 (3.5) days of re-learning to not focus in order to hear the voices in my head again

&lt;p&gt;I turned 41 in March, and for my birthday, I got a fantastic gift: to
go to Gran Canaria for 5 days, and have a rest in April. It’s
interesting how, among many other things, the definition of "rest"
morphs as our life progresses, as our situation evolves. Nowadays my
main enemy is the need for constant focus and context switching, so the
idea of rest is quite simple: I don't have to pay attention unless I
want to. This is exactly what I got from this trip - that, and that
sometimes there's less need for planning ahead.&lt;/p&gt;
&lt;h2 id="day-1-arriving"&gt;Day 1 : arriving&lt;/h2&gt;
&lt;p&gt;Upon browsing for a place to stay at, my wife spotted something in
the mountains: a literal cave house, Cueva las Nubes&lt;a href="#fn1"
class="footnote-ref" id="fnref1" role="doc-noteref"&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/a&gt;. At
first I thought it's a novelty, but once I was there it turned out it's
the indigenous way of living&lt;a href="#fn2" class="footnote-ref"
id="fnref2" role="doc-noteref"&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-top_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-top_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-top.jpg" class="horizontal" title="cueva-las-nubes-top.jpg" alt="This is what you see when you&amp;#39;re searching for the place from the road" width="720" height="372" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;This is what you see when you're searching for the
place from the road&lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-entrance_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-entrance_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-entrance.jpg" class="horizontal" title="cueva-las-nubes-entrance.jpg" alt="Now there&amp;#39;s a nice, big gate installed, and it&amp;#39;s quite a fun turn with the car" width="720" height="373" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;Now there's a nice, big gate installed, and it's
quite a fun turn with the car&lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-hallway_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-hallway_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-hallway.jpg" class="vertical" title="cueva-las-nubes-hallway.jpg" alt="The covered patio and roso of the accommodation" width="476" height="720" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;The covered patio and roso of the
accommodation&lt;/span&gt; &lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5
II s, 18.0 mm, f/5.6, 1/25 sec, ISO 100 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-living-room_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-living-room_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-living-room.jpg" class="horizontal" title="cueva-las-nubes-living-room.jpg" alt="The living room of the cueva - with the mornig sun bathing it" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;The living room of the cueva - with the mornig sun
bathing it&lt;/span&gt; &lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II
s, 18.0 mm, f/5.6, 1/25 sec, ISO 800 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-extension_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-extension_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-extension.jpg" class="horizontal" title="cueva-las-nubes-extension.jpg" alt="again, I really like this cave" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;again, I really like this cave&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 18.0 mm, f/8.0, 1/60
sec, ISO 100 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-extension-02_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-extension-02_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-extension-02.jpg" class="vertical" title="cueva-las-nubes-extension-02.jpg" alt="it even had a fireplace and all" width="476" height="720" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;it even had a fireplace and all&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 18.0 mm, f/8.0, 1/60
sec, ISO 100 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;This one I stayed in was extended, as many others - added roofs and
frontal space. It's nice from the perspective of a house, it's much less
nice from the perspective of relentless condensation. It turns out the
caves needed a certain way of ventilation to prevent this, and this
house doesn't have the natural flow any more. Modern solutions, such as
dehumidifiers, should be added, otherwise the caves tend to get musty
and mouldy in absolutely no time. If the owner is reading this: please
consider a smart dehumidifier that runs when needed, because it does
smell a bit moldy and musty in there. Not unlike some British houses
though.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/casa-cueva-condensacion_large.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/casa-cueva-condensacion_large.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/casa-cueva-condensacion.jpg" class="horizontal" title="casa-cueva-condensacion.jpg" alt="Over-developed cave-house vs. the condensation" width="720" height="330" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;Over-developed cave-house vs. the
condensation&lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;Apart from this, the place is fantastic. The view is insane; what the
clouds cover is the airport itself, meaning the cueva can be seen from
the runway.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-view_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-view_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/cueva-las-nubes-view.jpg" class="horizontal" title="cueva-las-nubes-view.jpg" alt="This would be the morning view from the cueva - that is when the clouds are under you and not over you" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;This would be the morning view from the cueva -
that is when the clouds are under you and not over you&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 18.0 mm, f/8.0, 1/250
sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;video controls="controls"&gt;
&lt;source src="VID_20260428_094808376.mp4" type="video/mp4"&gt;
&lt;/video&gt;
&lt;figure&gt;
&lt;picture&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/cueva_from_the_plane.jpg" class="vertical" title="cueva_from_the_plane.jpg" alt="Somewhere there" width="695" height="720" loading="lazy"&gt;
&lt;/picture&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;Somewhere there&lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;h3 id="the-surprise-cat"&gt;The surprise cat&lt;/h3&gt;
&lt;p&gt;We have 2 cats at home, neutered males both, one silent killer, one
retarted loudmouth, and we love them both. So when a skinny, seemingly
feral cat showed up at the cave demanding it's share I realised the
place had cat food and pet feeding pots. Apparently there are more cats
around, I got to meet 4 of them in the end, and they supposedly belong
to the shepherd on the other side of the hill. They don't want to be
petted at all.&lt;/p&gt;
&lt;video controls="controls"&gt;
&lt;source src="VID_20260425_072244196.mp4" type="video/mp4"&gt;
&lt;/video&gt;
&lt;h2 id="day-2"&gt;Day 2&lt;/h2&gt;
&lt;p&gt;&lt;strong&gt;The plan: go to see the pine forest close to me, then to go
to Teror, see the town, and buy food. The first part went well, the
second taught me lessons.&lt;/strong&gt;&lt;/p&gt;
&lt;h3 id="pico-de-las-nieves"&gt;Pico de las Nieves&lt;/h3&gt;
&lt;p&gt;The Canary Islands host pine forests, with pines native and unique to
these islands. What's incredible about them is how wonderful they smell
when the sun hits them and they get warm. It's like the nicest smelling
sauna, a forest of aromatherapy. I fell in love with this and the
feeling it generates the moment I first experienced it, and I wished to
experience it again, so my first trip was towards where the pines
are.&lt;/p&gt;
&lt;p&gt;On Gran Canaria there are two main areas of this: the forests around
Pico de las Nieves and around Tamabada. My cave was closer to the first,
so that's where I headed. I wasn't expecting the military complex on the
top of the mountain, but that didn't prevent me from having a nice hike
after parking in the completely empty parking spot.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_01_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_01_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_01.jpg" class="vertical" title="pico_de_las_nieves_01.jpg" alt="" width="476" height="720" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 135.0 mm,
f/5.6, 1/60 sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_02_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_02_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_02.jpg" class="horizontal" title="pico_de_las_nieves_02.jpg" alt="" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 135.0 mm,
f/8.0, 1/125 sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_03_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_03_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_03.jpg" class="horizontal" title="pico_de_las_nieves_03.jpg" alt="" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm,
f/14.0, 1/60 sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_04_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_04_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_04.jpg" class="horizontal" title="pico_de_las_nieves_04.jpg" alt="" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 28.0 mm,
1/400 sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt; ⋅ K or M Lens &lt;/span&gt;
&lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_05_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_05_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/pico_de_las_nieves_05.jpg" class="horizontal" title="pico_de_las_nieves_05.jpg" alt="" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 28.0 mm,
1/125 sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt; ⋅ K or M Lens &lt;/span&gt;
&lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/pico-de-las-nieves-in-the-cloud_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/pico-de-las-nieves-in-the-cloud_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/pico-de-las-nieves-in-the-cloud.jpg" class="vertical" title="pico-de-las-nieves-in-the-cloud.jpg" alt="" width="476" height="720" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 48.0 mm,
f/8.0, 1/125 sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;&lt;em&gt;Except...&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I took a wrong turn, and moved away from the restaurant I was trying
to head for - which brings me to the problem of food. I keep forgetting
that there are still places in the world where most stores close for
Sunday, and where there isn't some kind of takeaway or restaurant open
at basically any time of the day, meaning I came a bit underprepared
with food.&lt;/p&gt;
&lt;p&gt;When I got back to the parking spot it was swarming with people and
cars, including a food van - foolishly I decided I'd rather get back in
the car, go to see Teror, a village famous for it's beauty, and eat
something there.&lt;/p&gt;
&lt;h3 id="to-teror-or-not-to-teror"&gt;To Teror or not to Teror&lt;/h3&gt;
&lt;p&gt;On my way I went through a village called Lanzarote - yes, the same
name as one of the other islands, one that I like a lot, so I stopped to
eat at the local restaurant. I went for fish, so you don't have to.
Fresh fish around the docks is great; not completely fresh fish in the
mountains is not. I made this mistake one more time, believing it was
the place, but no; it's truly not worth it.&lt;/p&gt;
&lt;p&gt;I continued to Teror.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/somewhere_towards_teror_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/somewhere_towards_teror_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/somewhere_towards_teror.jpg" class="vertical" title="somewhere_towards_teror.jpg" alt="I stopped at a turn, because there was a forest I wanted to check out" width="476" height="720" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;I stopped at a turn, because there was a forest I
wanted to check out&lt;/span&gt; &lt;span class="meta"&gt; &lt;span class="exif"&gt;
PENTAX K-5 II s, 28.0 mm, 1/125 sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt;
⋅ K or M Lens &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;&lt;em&gt;Except...&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;The next part of the road didn't go as planned: a few kilometers from
Teror the only road going there had a police closure. A half-size car
and two plastic barriers, blocking the road. After spending some time,
looking for options, I gave up, decided to turn around, and head to
Maspalomas.&lt;/p&gt;
&lt;p&gt;I stopped in Tejeda, given how the tour books rave about it. It's
pretty, but I didn't feel anything special, and continued.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/somewhere_towards_maspalomas_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/somewhere_towards_maspalomas_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/somewhere_towards_maspalomas.jpg" class="horizontal" title="somewhere_towards_maspalomas.jpg" alt="It&amp;#39;s hard to explain the sizes, even if there are people for scale" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;It's hard to explain the sizes, even if there are
people for scale&lt;/span&gt; &lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX
K-5 II s, 35.0 mm, f/4.0, 1/250 sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt;
⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;&lt;em&gt;Except...&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;The rest of the trip didn't happen. The last 4 kms (sic) to
Maspalomas from the mountains was stuck in a traffic jam.&lt;/p&gt;
&lt;p&gt;I ended up turning around, slightly panicking on food for that night
and the day after as started the drive back. Eventually I spotted
another food van - in a parking lot that is closed to cars... At that
point I gave up, put the indicators in blinking, and left the car on the
road, and got some oranges and a bocadillo.&lt;/p&gt;
&lt;p&gt;I drove 6-7 hours and getting nowhere. I should have headed back to
my pine forest when the road to Teror was closed. The lesson of the day
was to stop forcing things: sometimes the solution will present itself.
This theme kept resonating, so maybe it's what I have to take away.&lt;/p&gt;
&lt;h2 id="day-3"&gt;Day 3&lt;/h2&gt;
&lt;p&gt;About a decade ago my sister and her spouse went to Grand Canaria and
I told them to go to the coffee plantation. Sadly they couldn't, and by
the time I was preparing for my trip, I completely forgot about them
myself. And then suddenly the memory came back from nowhere, so I had a
very clear plan that I want to go to the coffee plantations.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The plan: going to Agaete and swimming in the ocean.&lt;/strong&gt;
This quickly went up in petrol fumes: both roads leading not into the
mountains from of my place were closed till mid afternoon due rally.&lt;/p&gt;
&lt;h3 id="barranco-de-guayadeque"&gt;Barranco de Guayadeque&lt;/h3&gt;
&lt;p&gt;So far my trip didn't look relaxing, but some days before my wife
spotted a crafts shop not far from me - not far in direct line. Google,
which has streetview on the very track itself doesn't recommend the
short one for hiking, but openstreetmaps does:&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/walk-of-barranco-de-guayadeque_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/walk-of-barranco-de-guayadeque_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/walk-of-barranco-de-guayadeque.jpg" class="vertical" title="walk-of-barranco-de-guayadeque.jpg" alt="" width="360" height="720" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="meta"&gt; &lt;span class="exif"&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;Being "trapped" on the mountain turned out to be great. The trail is
part road, part dirt, and is not hard to walk. I left rather early,
meaning I didn't meet anyone for a while, only to be surrounded by the
loud buzzing of bees and other insects.&lt;/p&gt;
&lt;p&gt;The valley is serene, and it"s one of the main areas for cave
houses.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/barranco_de_guayadeque_05_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/barranco_de_guayadeque_05_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/barranco_de_guayadeque_05.jpg" class="horizontal" title="barranco_de_guayadeque_05.jpg" alt="View in the barranco" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;View in the barranco&lt;/span&gt; &lt;span class="meta"&gt;
&lt;span class="exif"&gt; PENTAX K-5 II s, 18.0 mm, f/16.0, 1/60 sec, ISO 80
&lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;I tried to capture the insect buzzing that surrounded me, probably
without luck:&lt;/p&gt;
&lt;video controls="controls"&gt;
&lt;source src="VID_20260426_094606138.mp4" type="video/mp4"&gt;
&lt;/video&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/barranco_de_guayadeque_03_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/barranco_de_guayadeque_03_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/barranco_de_guayadeque_03.jpg" class="horizontal" title="barranco_de_guayadeque_03.jpg" alt="What&amp;#39;s visible from the outside of a casa-cueva" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;What's visible from the outside of a
casa-cueva&lt;/span&gt; &lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II
s, 78.0 mm, f/5.6, 1/250 sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/barranco_de_guayadeque_01_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/barranco_de_guayadeque_01_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/barranco_de_guayadeque_01.jpg" class="vertical" title="barranco_de_guayadeque_01.jpg" alt="The whole rock of Montana de las Tierras is riddled with caves, and most of them are casa-cuevas; this street runs around it" width="540" height="720" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;The whole rock of Montana de las Tierras is riddled
with caves, and most of them are casa-cuevas; this street runs around
it&lt;/span&gt; &lt;span class="meta"&gt; &lt;span class="exif"&gt; moto g(6) plus, 4.2
mm, f/1.7, 1/2249 sec, ISO 50 &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/barranco_de_guayadeque_02_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/barranco_de_guayadeque_02_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/barranco_de_guayadeque_02.jpg" class="vertical" title="barranco_de_guayadeque_02.jpg" alt="oldschool instagram, drink with a view" width="540" height="720" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;oldschool instagram, drink with a view&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; moto g(6) plus, 4.2 mm, f/1.7, 1/4294
sec, ISO 50 &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/lap-cat_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/lap-cat_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/lap-cat.jpg" class="horizontal" title="lap-cat.jpg" alt="lap-cat being lap-cat" width="720" height="540" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;lap-cat being lap-cat&lt;/span&gt; &lt;span class="meta"&gt;
&lt;span class="exif"&gt; moto g(6) plus, 4.2 mm, f/1.7, 1/280 sec, ISO 50
&lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/barranco-de-guayadeque_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/barranco-de-guayadeque_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/barranco-de-guayadeque.jpg" class="horizontal" title="barranco-de-guayadeque.jpg" alt="" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 18.0 mm,
f/16.0, 1/125 sec, ISO 160 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/IMG_20260426_111202881_HDR_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/IMG_20260426_111202881_HDR_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/IMG_20260426_111202881_HDR.jpg" class="horizontal" title="IMG_20260426_111202881_HDR.jpg" alt="I ate at Restaurant Tagoror, and, as mentioned before, I got fish, again. because there was a weekend only menu, so I thought this is the local equivalent of a Sunday roast, why not. The lesson I learnt is to stick to fresh, grilled fish on the seaside instead. The gofio was very nice though." width="720" height="540" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;I ate at Restaurant Tagoror, and, as mentioned
before, I got fish, again. because there was a weekend only menu, so I
thought this is the local equivalent of a Sunday roast, why not. The
lesson I learnt is to stick to fresh, grilled fish on the seaside
instead. The gofio was very nice though.&lt;/span&gt; &lt;span class="meta"&gt;
&lt;span class="exif"&gt; moto g(6) plus, 4.2 mm, f/1.7, 1/191 sec, ISO 50
&lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;h3 id="dunes-de-maspalomas"&gt;Dunes de Maspalomas&lt;/h3&gt;
&lt;p&gt;After getting back from the small hike I realised there was plenty of
time left from the day, so I attempted Máspalomás again. Well...&lt;/p&gt;
&lt;p&gt;The dunes are beautiful. That is if you're able to spot any piece
without an asshole tourist playing the center of the universe, ignoring
all signs, and walking into them. This is especially true for entitled
Asian wannabe influencers.&lt;/p&gt;
&lt;p&gt;What sort of destroyed it all was that to access the dunes I had to
go through a hotel complex that is practically the entrance to the view.
I understand it's a tourist attraction but it's a bleak, stark contrast
compared with the seclusion and serenity of the mountains.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/dunes_de_maspalomas_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/dunes_de_maspalomas_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/dunes_de_maspalomas.jpg" class="horizontal" title="dunes_de_maspalomas.jpg" alt="Good luck finding a pristine dune..." width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;Good luck finding a pristine dune...&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 135.0 mm, f/8.0,
1/250 sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/maspalomas-02_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/maspalomas-02_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/maspalomas-02.jpg" class="horizontal" title="maspalomas-02.jpg" alt="turning around provided a nicer image" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;turning around provided a nicer image&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 28.0 mm, 1/125 sec,
ISO 80 &lt;/span&gt; &lt;span class="lens"&gt; ⋅ K or M Lens &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;h2 id="day-4"&gt;Day 4&lt;/h2&gt;
&lt;p&gt;This day went as planned - with the plan I had for the day before.
And it was a bit chilly for swimming, but it didn't stop me.&lt;/p&gt;
&lt;h3 id="agaete-valley"&gt;Agaete Valley&lt;/h3&gt;
&lt;p&gt;I entered Agaete with no expectations. If it really was just a coffee
plantation, and I had a good coffee, I would have been happy. And it
turned out for the best: this place is incredible. It has a ringing
serenity to it, one that I so rarely found anywhere. With the grey
clouds sitting right on top of the surrounding mountains it was even
more peaceful.&lt;/p&gt;
&lt;p&gt;I spent most of the day just wandering around after the morning
coffee taste. I didn't book anything, so when they asked if I want the
tour or just the taster, I went for the taster - only to change my mind
when more people arrived, and they were so nice about it all, no fuss,
no nothing. Shout out to
&lt;a href="https://www.rubenerd.au/about/" class="u-in-reply-to"&gt;Ruben&lt;/a&gt;
and &lt;a href="https://jamesg.blog/" class="u-in-reply-to"&gt;James&lt;/a&gt;,
given your coffee interest; Finca los Castaños&lt;a href="#fn3"
class="footnote-ref" id="fnref3" role="doc-noteref"&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/a&gt; has
absolutely marvellous, kind coffee, in case you find yourself on Gran
Canaria. There are many other tiny coffee plantations, but I didn't have
the chance to taste those yet.&lt;/p&gt;
&lt;h3 id="section"&gt;&lt;/h3&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/agaete_valley_01_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/agaete_valley_01_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/agaete_valley_01.jpg" class="horizontal" title="agaete_valley_01.jpg" alt="This view, when sipping a wonderfully relaxing cup of mellow Agaete coffee" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;This view, when sipping a wonderfully relaxing cup
of mellow Agaete coffee&lt;/span&gt; &lt;span class="meta"&gt; &lt;span class="exif"&gt;
PENTAX K-5 II s, 36.0 mm, f/8.0, 1/125 sec, ISO 200 &lt;/span&gt; &lt;span
class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/agaete_valley_02_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/agaete_valley_02_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/agaete_valley_02.jpg" class="horizontal" title="agaete_valley_02.jpg" alt="Yep, those are not small" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;Yep, those are not small&lt;/span&gt; &lt;span class="meta"&gt;
&lt;span class="exif"&gt; PENTAX K-5 II s, 21.0 mm, f/8.0, 1/60 sec, ISO 80
&lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/agaete-mountains_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/agaete-mountains_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/agaete-mountains.jpg" class="vertical" title="agaete-mountains.jpg" alt="Mountains surrounding the valley" width="476" height="720" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;Mountains surrounding the valley&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 28.0 mm, f/8.0, 1/60
sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/agaete-waterfall_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/agaete-waterfall_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/agaete-waterfall.jpg" class="vertical" title="agaete-waterfall.jpg" alt="That is a waterfall somewhere far." width="476" height="720" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;That is a waterfall somewhere far.&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 48.0 mm, f/8.0, 1/60
sec, ISO 80 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/agaete_valley_05_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/agaete_valley_05_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/agaete_valley_05.jpg" class="horizontal" title="agaete_valley_05.jpg" alt="The dramatic view was in strong contrast with the peacefulness of the day and the place " width="720" height="540" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;The dramatic view was in strong contrast with the
peacefulness of the day and the place &lt;/span&gt; &lt;span class="meta"&gt; &lt;span
class="exif"&gt; moto g(6) plus, 4.2 mm, f/1.7, 1/526 sec, ISO 50 &lt;/span&gt;
&lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/coffee_tasting_in_agaete_valley_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/coffee_tasting_in_agaete_valley_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/coffee_tasting_in_agaete_valley.jpg" class="vertical" title="coffee_tasting_in_agaete_valley.jpg" alt="The coffee. With jam tasting." width="540" height="720" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;The coffee. With jam tasting.&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; moto g(6) plus, 4.2 mm, f/1.7, 1/242
sec, ISO 50 &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;h3 id="agaete-piscina-natural"&gt;Agaete Piscina Natural&lt;/h3&gt;
&lt;p&gt;I wanted to swim somewhere, but in April, it's not that trivial (or
safe, see below), but natural/semi natural pools can always help. It was
certainly a new experience to swim while the locals and the Spanish were
standing next to me in jackets and coats.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/agaete-piscina-natural_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/agaete-piscina-natural_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/agaete-piscina-natural.jpg" class="horizontal" title="agaete-piscina-natural.jpg" alt="" width="720" height="432" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;h2 id="day-5"&gt;Day 5&lt;/h2&gt;
&lt;p&gt;Before the flight home I first visited a local arboretum, but it
wasn't really worth it, as the more interesting parts were closed up. I
also went into the old town of Las Palmas. It's pretty and it has some
very nice little shops, but finding a parking spot was challenging.&lt;/p&gt;
&lt;p&gt;Lastly I went out to the shores to say bye to the ocean.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/las_palmas_shore_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/las_palmas_shore_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/las_palmas_shore.jpg" class="horizontal" title="las_palmas_shore.jpg" alt="There are some brave people living here for sure." width="720" height="540" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;There are some brave people living here for
sure.&lt;/span&gt; &lt;span class="meta"&gt; &lt;span class="exif"&gt; moto g(6) plus, 4.2
mm, f/1.7, 1/5000 sec, ISO 50 &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/gran-canaria/jellyfish_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/gran-canaria/jellyfish_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/jellyfish.jpg" class="horizontal" title="jellyfish.jpg" alt="There were red flags up, which I attributed to the wind, until I saw this - so yeah, no swimming." width="720" height="540" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;There were red flags up, which I attributed to the
wind, until I saw this - so yeah, no swimming.&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; moto g(6) plus, 4.2 mm, f/1.7, 1/1166
sec, ISO 50 &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;h2 id="summary"&gt;Summary&lt;/h2&gt;
&lt;p&gt;Go to Agaete and the mountains.&lt;/p&gt;
&lt;p&gt;Skip the tourist zone.&lt;/p&gt;
&lt;p&gt;The universe will provide if you're willing to be flexible.&lt;/p&gt;
&lt;p&gt;And if you keep to yourself for a few days the brainfog will finally
lift.&lt;/p&gt;
&lt;figure&gt;
&lt;picture&gt;
&lt;img src="https://petermolnar.net/journal/gran-canaria/gps.png" class="vertical" title="gps.png" alt="My whole trip on the map" width="686" height="720" loading="lazy"&gt;
&lt;/picture&gt;
&lt;figcaption&gt;
&lt;p&gt;&lt;span class="alt"&gt;My whole trip on the map&lt;/span&gt;&lt;/p&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;section id="footnotes" class="footnotes footnotes-end-of-document"
role="doc-endnotes"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li id="fn1"&gt;&lt;p&gt; &lt;a
href="https://www.booking.com/hotel/es/cueva-las-nubes.html"
class="uri"&gt;https://www.booking.com/hotel/es/cueva-las-nubes.html&lt;/a&gt;&lt;a
href="#fnref1" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn2"&gt;&lt;p&gt;&lt;a
href="https://www.saltodelpastorcanario.org/web/wp-content/uploads/2023/03/CasasCuevasenPatrimonioEtnogr%C3%A1ficodGC.PropuestasConservaci%C3%B3n-GuacimaraDelgadoQuintana%E2%80%93214P%C3%A1g-EdCabildoInsularGC-FSPCGC2022-23..pdf"
class="uri"&gt;https://www.saltodelpastorcanario.org/web/wp-content/uploads/2023/03/CasasCuevasenPatrimonioEtnogr%C3%A1ficodGC.PropuestasConservaci%C3%B3n-GuacimaraDelgadoQuintana%E2%80%93214P%C3%A1g-EdCabildoInsularGC-FSPCGC2022-23..pdf&lt;/a&gt;&lt;a
href="#fnref2" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn3"&gt;&lt;p&gt;&lt;a href="https://fincaloscastanos.com/"
class="uri"&gt;https://fincaloscastanos.com/&lt;/a&gt;&lt;a href="#fnref3"
class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;/section&gt;</content>
  </entry>
  <entry>
    <id>https://petermolnar.net/photo/agaete-waterfall/</id>
    <title>Agaete waterfall</title>
    <updated>2026-09-23T12:05:52+00:00</updated>
    <published>2026-09-22T18:20:00+01:00</published>
    <author>
      <name>Peter Molnar</name>
    </author>
    <link href="https://petermolnar.net/photo/agaete-waterfall/" rel="alternate" type="text/html"/>
    <category>photo</category>
    <summary type="html">&lt;p&gt;I wasn't able to get to the source of the waterfall, so I was left
with enjoying watching it fading in/out of the mist.&lt;/p&gt;</summary>
    <link rel="enclosure" href="https://petermolnar.net/photo/agaete-waterfall/agaete-waterfall.jpg" type="image/jpeg" length="117902"/>
    <content type="html">&lt;p&gt;&lt;img src="https://petermolnar.net/photo/agaete-waterfall/agaete-waterfall.jpg" alt="Agaete waterfall" /&gt;&lt;/p&gt;
&lt;p&gt;I wasn't able to get to the source of the waterfall, so I was left
with enjoying watching it fading in/out of the mist.&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>https://petermolnar.net/photo/agaete-mountains/</id>
    <title>Mountains around Agaete</title>
    <updated>2026-09-23T12:06:00+00:00</updated>
    <published>2026-09-22T18:15:00+01:00</published>
    <author>
      <name>Peter Molnar</name>
    </author>
    <link href="https://petermolnar.net/photo/agaete-mountains/" rel="alternate" type="text/html"/>
    <category>photo</category>
    <summary type="html">&lt;p&gt;I was quite lucky with the weather in Agaete: while a bit wet, but
this kind of weather, somehow, helps with staying calm and relaxed when
you're surrounded with lush greens and cloud-covered mountains.&lt;/p&gt;</summary>
    <link rel="enclosure" href="https://petermolnar.net/photo/agaete-mountains/agaete-mountains.jpg" type="image/jpeg" length="89800"/>
    <content type="html">&lt;p&gt;&lt;img src="https://petermolnar.net/photo/agaete-mountains/agaete-mountains.jpg" alt="Mountains around Agaete" /&gt;&lt;/p&gt;
&lt;p&gt;I was quite lucky with the weather in Agaete: while a bit wet, but
this kind of weather, somehow, helps with staying calm and relaxed when
you're surrounded with lush greens and cloud-covered mountains.&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>https://petermolnar.net/article/ngx-http-blocklistd/</id>
    <title>Making nginx use blocklistd</title>
    <updated>2026-09-20T15:54:26+00:00</updated>
    <published>2026-09-20T15:54:00+01:00</published>
    <author>
      <name>Peter Molnar</name>
    </author>
    <link href="https://petermolnar.net/article/ngx-http-blocklistd/" rel="alternate" type="text/html"/>
    <category>article</category>
    <summary type="html">fail2ban is nice and simple to use, but has a brutal overhead on modest hardware that can handle a surprising amount of traffic. There is a more elegant solution which is much less known, called blocklistd.</summary>
    <content type="html">fail2ban is nice and simple to use, but has a brutal overhead on modest hardware that can handle a surprising amount of traffic. There is a more elegant solution which is much less known, called blocklistd.

&lt;p&gt;&lt;strong&gt;tl;dr&lt;/strong&gt;: &lt;a
href="https://code.petermolnar.net/ngx-http-blocklistd"
class="uri"&gt;https://code.petermolnar.net/ngx-http-blocklistd&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I wrote about having fun with bots and scapers before that I brought
upon myself by having &lt;code&gt;nepenthes&lt;/code&gt; added to my server&lt;a
href="#fn1" class="footnote-ref" id="fnref1"
role="doc-noteref"&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/a&gt;. As things currently stand, unless
you want to or can afford A LOT OF traffic, you shouldn't do what I
did.&lt;/p&gt;
&lt;p&gt;Anyhow, now that all the links are removed from everywhere it means
that there's a certain path prefix that I know 100% sure it's nasty bot
traffic and I'd be happy to block the IP immediately if it ends up
there.&lt;/p&gt;
&lt;p&gt;The last time I tried fail2ban, my CPU got overloaded. I then tried
blocking at ASN level&lt;a href="#fn2" class="footnote-ref" id="fnref2"
role="doc-noteref"&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/a&gt;, but I regularly ended up blocking
M$, Google Cloud, and other things, eventually blocking some of the
indieweb tooling&lt;a href="#fn3" class="footnote-ref" id="fnref3"
role="doc-noteref"&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/a&gt; from accessing my site with that
blast radius.&lt;/p&gt;
&lt;p&gt;I have turned to &lt;code&gt;blocklistd&lt;/code&gt;&lt;a href="#fn4"
class="footnote-ref" id="fnref4" role="doc-noteref"&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/a&gt;
(formerly called &lt;code&gt;blacklistd&lt;/code&gt;) for blocking SSH and Postfix
attempts, because it has it built in. It's a (Net)BSD security tool that
listens on a socket for messages with IPs to be blocked by your
firewall. In a sense it does the same job as fail2ban, but with much
less overhead: it doesn't need logs to be writter, logs to be read and
parsed, and it's written in C.&lt;/p&gt;
&lt;p&gt;The nginx module that communicates to blocklistd didn't exist, so I
decided to write it. The end results looks way simpler, than finding the
resources were, but these were quite helpful:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Emiller’s Guide To Nginx Module Development &lt;a
href="https://www.evanmiller.org/nginx-modules-guide.html"
class="uri"&gt;https://www.evanmiller.org/nginx-modules-guide.html&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;Learning a new codebase: hacking on nginx &lt;a
href="https://notes.eatonphil.com/learning-a-new-codebase-hacking-nginx.html"
class="uri"&gt;https://notes.eatonphil.com/learning-a-new-codebase-hacking-nginx.html&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;nginx Development guide &lt;a
href="https://nginx.org/en/docs/dev/development_guide.html"
class="uri"&gt;https://nginx.org/en/docs/dev/development_guide.html&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;A Guide to: NGINX Error Logs &lt;a
href="https://trunc.org/learning/everything-you-dont-need-to-know-about-nginx-error-logs"
class="uri"&gt;https://trunc.org/learning/everything-you-dont-need-to-know-about-nginx-error-logs&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;nginx-dev-examples &lt;a
href="https://github.com/nginx/nginx-dev-examples/tree/main/hello_world_1"
class="uri"&gt;https://github.com/nginx/nginx-dev-examples/tree/main/hello_world_1&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;ssh diff in blacklistd source &lt;a
href="https://github.com/paul-chambers/blacklistd/blob/trunk/diff/ssh.diff"
class="uri"&gt;https://github.com/paul-chambers/blacklistd/blob/trunk/diff/ssh.diff&lt;/a&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;It is now working and I'm testing how far I can take it. For what
it's worth, I'm not going back to the endless AI poison maze experiment,
because I can't afford to jeopardise that level of traffic on my home
connection, but I will most likely put honeypot links back soon.&lt;/p&gt;
&lt;section id="footnotes" class="footnotes footnotes-end-of-document"
role="doc-endnotes"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li id="fn1"&gt;&lt;p&gt;&lt;a
href="https://petermolnar.net/article/anti-ai-nepenthes-fail2ban/index.html"
class="uri"&gt;https://petermolnar.net/article/anti-ai-nepenthes-fail2ban/index.html&lt;/a&gt;&lt;a
href="#fnref1" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn2"&gt;&lt;p&gt;&lt;a
href="https://petermolnar.net/article/asn-blocking-freebsd-pf-nginx/index.html"
class="uri"&gt;https://petermolnar.net/article/asn-blocking-freebsd-pf-nginx/index.html&lt;/a&gt;&lt;a
href="#fnref2" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn3"&gt;&lt;p&gt;&lt;a href="https://granary.io/"
class="uri"&gt;https://granary.io/&lt;/a&gt;&lt;a href="#fnref3"
class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn4"&gt;&lt;p&gt;&lt;a
href="https://man.freebsd.org/cgi/man.cgi?query=blocklistd&amp;amp;sektion=8&amp;amp;manpath=FreeBSD+15.1-RELEASE+and+Ports.quarterly"
class="uri"&gt;https://man.freebsd.org/cgi/man.cgi?query=blocklistd&amp;amp;sektion=8&amp;amp;manpath=FreeBSD+15.1-RELEASE+and+Ports.quarterly&lt;/a&gt;&lt;a
href="#fnref4" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;/section&gt;</content>
  </entry>
  <entry>
    <id>https://petermolnar.net/journal/fragmented-reality/</id>
    <title>The pipe dream of the useful augmented reality</title>
    <updated>2026-09-20T17:56:18+00:00</updated>
    <published>2026-09-15T18:37:00+01:00</published>
    <author>
      <name>Peter Molnar</name>
    </author>
    <link href="https://petermolnar.net/journal/fragmented-reality/" rel="alternate" type="text/html"/>
    <category>journal</category>
    <summary type="html">&lt;p&gt;Somewhere in '98 or '99 I fired up ICQ for the first time. &lt;em&gt;Take
it into account that I was living in Hungary, a 14 years old boy, and
while I was learning English since I was 6, the teaching methods in
Hungary focus on grammar and not real life skills, me…&lt;/em&gt;&lt;/p&gt;</summary>
    <content type="html">&lt;p&gt;Somewhere in '98 or '99 I fired up ICQ for the first time. &lt;em&gt;Take
it into account that I was living in Hungary, a 14 years old boy, and
while I was learning English since I was 6, the teaching methods in
Hungary focus on grammar and not real life skills, meaning I was lagging
5-10 years behind American and British trends. By the way, this is still
the case with a lot of Hungarians.&lt;/em&gt; It was incredible. I was able to
search for people based on interest keywords, age, and so on. Back then
not everybody lied all the time and practically everyone was allowed on
everything. This meant both wonderful and atrocious websites, but that
is for another day. You were able to message everyone out of the blue
without worrying about spam filters or friend requests.&lt;/p&gt;
&lt;p&gt;The internet, at that point, felt like another world, a place where
you were able to surround yourself with the people you longed for, not
with the ones fate threw at you in school. A place to retreat to.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;It took me 20 more years to even learn about BBS systems, those
never reached Hungary. It must have been incredible to live through the
BBS era. "BBS: The Documentary"&lt;a href="#fn1" class="footnote-ref"
id="fnref1" role="doc-noteref"&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/a&gt; is a fantastic
watch.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Soon I made a website, and it felt like a significant achievement: it
was mine, I actually crafted it, it looked the way I wanted it to look,
and so on.&lt;/p&gt;
&lt;p&gt;It looked like we were going towards a world with a fantastic, useful
internet.&lt;/p&gt;
&lt;p&gt;In the beginning of 2012 we made a trip to Ireland and England, and
many of the amazing places we visited we found using Panoramio&lt;a
href="#fn2" class="footnote-ref" id="fnref2"
role="doc-noteref"&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/a&gt; on Google Maps. The Dark Hedges&lt;a
href="#fn3" class="footnote-ref" id="fnref3"
role="doc-noteref"&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/a&gt;, for example, much before it got
featured on Game of Thrones. Without Panoramio I never could have
discovered those locations, and since it's shutdown, it became quite
hard again.&lt;/p&gt;
&lt;p&gt;In the same year, the promised land of useful technology still
existed. Gtalk talked XMPP, Facebook talked XMPP; everyone talked XMPP.
RSS and Google Reader was big, and Google still had "don't be evil" in
it's manifest. Augmented reality was on it's way. The relevant Wikipedia
article&lt;a href="#fn4" class="footnote-ref" id="fnref4"
role="doc-noteref"&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/a&gt; shows a photo of a HTC Desire, a
2009 phone, displaying AR navigation&lt;a href="#fn5" class="footnote-ref"
id="fnref5" role="doc-noteref"&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;But a few months later the only community website I ever really loved
and belonged to&lt;a href="#fn6" class="footnote-ref" id="fnref6"
role="doc-noteref"&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/a&gt; shut down. I wrote about it a while
ago that maybe the reason for that site and it's community to work as
well as it did that it was it's mixed reality roots&lt;a href="#fn7"
class="footnote-ref" id="fnref7" role="doc-noteref"&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/a&gt;: a
community with an entry point from the web, and with entry points from
parties and events organised. You could start in one and continue in the
other.&lt;/p&gt;
&lt;p&gt;And then Google Glass debuted. It became of the most hated gadgets
ever created, and with that, the dreams of a usefully connected world
seem to have died. Meanwhile the clouds of endless consumption of
worthless goods were gathering.&lt;/p&gt;
&lt;p&gt;In 2007 the iPhone was presented and brought upon the insanity of
being constantly distracted by notifications. In 2009 I had a company
Nokia E52&lt;a href="#fn8" class="footnote-ref" id="fnref8"
role="doc-noteref"&gt;&lt;sup&gt;8&lt;/sup&gt;&lt;/a&gt;. It was tiny, loud, the battery
lasted a week easily, and it even had a surprisingly decent Nokia Maps
navigation with Hungarian TTS. It was internet capable: with Opera Mini,
I could read the news, it had an email client, and so on. For a company
phone, it was perfect; a far cry from the glue-and-glass attention
seeking monstrosities everyone carries now.&lt;/p&gt;
&lt;p&gt;Seven years later, in 2014, something happened that killed any
remaining promise of the mixed reality that would have served the
people. Maybe a CEO conference, maybe just death by a thousand
papercuts. The article "Get your loved ones off Facebook&lt;a href="#fn9"
class="footnote-ref" id="fnref9" role="doc-noteref"&gt;&lt;sup&gt;9&lt;/sup&gt;&lt;/a&gt; was
triggered by the 2014 changes in Facebook's policies. Google Talk was
discontinued in early 2015, Facebook also dropped XMPP by then.&lt;/p&gt;
&lt;p&gt;In 2015, Pokémon Go debuted. The FOMO of "Gotta catch them all!" has
been making people drop serious money on "collectables" probably since
the dawn of time, but this one was new. You'd have to walk or go to
physical places to interact with them or with others at the same
location. And it was even teaching about local curiosities that were
marked for those special spots.&lt;/p&gt;
&lt;p&gt;But this wasn't really that useful AR that I longed for. It wasn't a
simple, configurable heads up display that would, say, show my friends
on a map, show events that might be are happening around me and would be
open for me, or one that could be the local guide of curiosities and
history. One that tells me the story of a building just by being there
and looking at it, that would give me augmented navigation, that would
allow me to connect with people in both worlds easily. It was a gacha
game during a time when it wasn't yet clear how many, many things are,
quietly, also made to track your behaviour, your location, your habits.
The notion that the internet became, or was becoming, an enshittified
cesspit didn't sink in just yet.&lt;/p&gt;
&lt;p&gt;It's 2026 now and I see Ray-Ban Meta glass commercials everywhere.
It's an even creepier device&lt;a href="#fn10" class="footnote-ref"
id="fnref10" role="doc-noteref"&gt;&lt;sup&gt;10&lt;/sup&gt;&lt;/a&gt; - it's made by Meta
after all -, than the Google Glass was, yet somehow, it's ... OK now?!
People live stream jackass moments with it, and we're cheering. Everyone
got used to record anything they see, all the time, and being recorded,
all the time.&lt;/p&gt;
&lt;p&gt;Walking up to random strangers with weird questions, live streaming
it all. Your car is will be mandated to record you in the EU from mid
2026&lt;a href="#fn11" class="footnote-ref" id="fnref11"
role="doc-noteref"&gt;&lt;sup&gt;11&lt;/sup&gt;&lt;/a&gt;. Instead of stopping a fight and
pulling people apart, just record it and upload it. I get that in some
cases, the recording is useful, even needed, but it can't be a priority
over de-escalating a situation, and that's just one example.&lt;/p&gt;
&lt;p&gt;How did we get here? Why did that useful internet promise die? Is it
all just human greed, is it negligence, is it entertaining ourselves to
death&lt;a href="#fn12" class="footnote-ref" id="fnref12"
role="doc-noteref"&gt;&lt;sup&gt;12&lt;/sup&gt;&lt;/a&gt;?&lt;/p&gt;
&lt;p&gt;One explanation I've heard is that in the early days the internet was
less accessible and so it contained like-minded people. But it's hard to
understand how we got from the collaborative internet of SOPA/PIPA
internet blackouts&lt;a href="#fn13" class="footnote-ref" id="fnref13"
role="doc-noteref"&gt;&lt;sup&gt;13&lt;/sup&gt;&lt;/a&gt; in 2011/12, when the internet was
already quite accessible to most, to being OK with AI generated posters
for your kid's birthday party, willingly uploading the photos of
involved kid into the machine that'll most likely store it forever for
facial recognition.&lt;/p&gt;
&lt;p&gt;Here we are, in the now: an insane amount of streamed, recorded
video, using absurdly powerful machines that shamelessly trying to spy
and gather as much information on us as possible, willingly in our
pockets, and virtually not a single option to publish my live location
to a select few friends in case we're about to bump into each other,
without something selling me out, exploiting me, tracking me.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;That is unless you are a wizard of words and your friends are
listening to you, and you manage to self-host a server for them. Which I
do, an XMPP server for friends &amp;amp; family, but not many others do,
even though they should. It lives on a former thin client in my home,
under a chest of drawers.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;It could be me though. Maybe my definition of useful is a far cry
from the averaged definition of useful. Maybe some people are looking
forward to on-the-fly AI generated targeted video ads and streams with
zero collective experience, and a reality fragmented into bubbles and
oblivion.&lt;/p&gt;
&lt;section id="footnotes" class="footnotes footnotes-end-of-document"
role="doc-endnotes"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li id="fn1"&gt;&lt;p&gt;&lt;a
href="https://www.youtube.com/playlist?list=PL7nj3G6Jpv2G6Gp6NvN1kUtQuW8QshBWE\"
class="uri"&gt;https://www.youtube.com/playlist?list=PL7nj3G6Jpv2G6Gp6NvN1kUtQuW8QshBWE\&lt;/a&gt;*&lt;a
href="#fnref1" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn2"&gt;&lt;p&gt;&lt;a href="https://www.failory.com/google/panoramio"
class="uri"&gt;https://www.failory.com/google/panoramio&lt;/a&gt;&lt;a
href="#fnref2" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn3"&gt;&lt;p&gt;&lt;a
href="https://petermolnar.net/photo/northern-ireland-the-dark-hedges/"
class="uri"&gt;https://petermolnar.net/photo/northern-ireland-the-dark-hedges/&lt;/a&gt;&lt;a
href="#fnref3" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn4"&gt;&lt;p&gt;&lt;a
href="https://en.wikipedia.org/wiki/Augmented_reality"
class="uri"&gt;https://en.wikipedia.org/wiki/Augmented_reality&lt;/a&gt;&lt;a
href="#fnref4" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn5"&gt;&lt;p&gt;&lt;a
href="https://en.wikipedia.org/wiki/Augmented_reality#/media/File:Navit_Reality_View_next_to_reality.jpg"
class="uri"&gt;https://en.wikipedia.org/wiki/Augmented_reality#/media/File:Navit_Reality_View_next_to_reality.jpg&lt;/a&gt;&lt;a
href="#fnref5" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn6"&gt;&lt;p&gt;&lt;a href="https://ld50.hu/"
class="uri"&gt;https://ld50.hu/&lt;/a&gt;&lt;a href="#fnref6" class="footnote-back"
role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn7"&gt;&lt;p&gt;&lt;a
href="https://petermolnar.net/journal/amikor-az-internet-felfalja-magat/"
class="uri"&gt;https://petermolnar.net/journal/amikor-az-internet-felfalja-magat/&lt;/a&gt;&lt;a
href="#fnref7" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn8"&gt;&lt;p&gt;&lt;a
href="https://phonesdata.com/en/smartphones/nokia/e52-800/"
class="uri"&gt;https://phonesdata.com/en/smartphones/nokia/e52-800/&lt;/a&gt;&lt;a
href="#fnref8" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn9"&gt;&lt;p&gt;&lt;a href="https://salimvirani.com/facebook/"
class="uri"&gt;https://salimvirani.com/facebook/&lt;/a&gt;&lt;a href="#fnref9"
class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn10"&gt;&lt;p&gt;&lt;a
href="https://arstechnica.com/tech-policy/2026/08/meta-ai-glasses-may-get-creepier-and-apps-that-detect-them-arent-perfect/"
class="uri"&gt;https://arstechnica.com/tech-policy/2026/08/meta-ai-glasses-may-get-creepier-and-apps-that-detect-them-arent-perfect/&lt;/a&gt;&lt;a
href="#fnref10" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn11"&gt;&lt;p&gt;&lt;a
href="https://autofreak.com/eu-driver-monitoring-cameras-mandate-2026/"
class="uri"&gt;https://autofreak.com/eu-driver-monitoring-cameras-mandate-2026/&lt;/a&gt;&lt;a
href="#fnref11" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn12"&gt;&lt;p&gt;&lt;a
href="https://en.wikipedia.org/wiki/Amusing_Ourselves_to_Death"
class="uri"&gt;https://en.wikipedia.org/wiki/Amusing_Ourselves_to_Death&lt;/a&gt;
there's also an amazing comic strip about it, which has an interesting
background: the creator was asked to redact it, essentially because it
summarised the whole book in one go: &lt;a
href="https://www.stuartmcmillen.com/blog/amusing-ourselves-to-death/"
class="uri"&gt;https://www.stuartmcmillen.com/blog/amusing-ourselves-to-death/&lt;/a&gt;
but if you look around, you can find it, eg &lt;a
href="https://biblioklept.org/2013/06/08/huxley-vs-orwell-the-webcomic-2/"
class="uri"&gt;https://biblioklept.org/2013/06/08/huxley-vs-orwell-the-webcomic-2/&lt;/a&gt;
still presents it.&lt;a href="#fnref12" class="footnote-back"
role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn13"&gt;&lt;p&gt;&lt;a
href="https://en.wikipedia.org/wiki/Protests_against_SOPA_and_PIPA"
class="uri"&gt;https://en.wikipedia.org/wiki/Protests_against_SOPA_and_PIPA&lt;/a&gt;&lt;a
href="#fnref13" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;/section&gt;</content>
  </entry>
  <entry>
    <id>https://petermolnar.net/journal/nyugtalanul/</id>
    <title>Nyugtalanul</title>
    <updated>2026-07-21T09:25:33+00:00</updated>
    <published>2026-07-21T09:15:00+01:00</published>
    <author>
      <name>Peter Molnar</name>
    </author>
    <link href="https://petermolnar.net/journal/nyugtalanul/" rel="alternate" type="text/html"/>
    <category>journal</category>
    <summary type="html">Mi történik, ha nem állsz meg? Leszáll a köd, az.</summary>
    <content type="html">Mi történik, ha nem állsz meg? Leszáll a köd, az.

&lt;p&gt;Pár hete kijött egy törvény Angliában: 2008 után születettek soha sem
vásárolhatnak legálisan cigarettát&lt;a href="#fn1" class="footnote-ref"
id="fnref1" role="doc-noteref"&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/a&gt;. Ahelyett, hogy örültem
volna, hogy végre történik valami, az agyam feldobta, hogy dehát
mégiscsak el kellene hogy dönthesse a felnőtt ember, hogy mit csinál
magával. Egész életemben utáltam a bagószagot: hogy egy alapvetően
nagyon jó illatú növényből hogyan lesz bűz, maj csilliárd eldobott
cigarettavég, amit a Föld IQ haranggörbe bal oldalán elhelyezkedő agyúak
nem képesek legalább a szemetesbe bedobni. Erre ez első gondolatom nem
az, hogy "végre". Honnan buggyant ez elő?&lt;/p&gt;
&lt;p&gt;Mióta nem Magyarországon élek egy sokkal tágabb világgal vagyok
körülvéve. Van kollégám, akiről nemrég tudtam meg, hogy 17 évesen
menekült 2003-ban az iraki háborúból, és többet látott, mint egy
ezüsthátú new yorki rendőr. Ennek egyenes következménye, hogy ahogy
teltek itt az évek egyre több oldalt próbálok megnézni, minden szögből
felmérni és megérteni álláspontokat.&lt;/p&gt;
&lt;p&gt;Ez önmagában jó és helyes, azonban nehéz véleményt megtartani,
valamilyen oldalon állni, ha mindenkinek igaza van - a saját igaza,
persze. Mikor kell a másik bőrébe, fejébe bújni, és mikor nem? Arra
jutottam, hogy ha valami vagy objektíven és mérhetően rossz - lásd bagó
-, van számomra morálisan és/vagy etikusan visszatetsző, akkor nincs
helye más véleményének, és bele kell állni a sajátomban.&lt;/p&gt;
&lt;p&gt;Ahhoz viszont, hogy eljussak egy ilyen rendkívül egyszerű
következtetésig több napnyi üres fej kellett.&lt;/p&gt;
&lt;p&gt;A 41. születésnapomra kaptam 5 nap szünetet, hogy egy kicsit
kikapcsolhassam a gondolataimat, hogy a saját tempómban haladjak. Cél,
illetve jobban mondva “indok” nélkül - konferencia, edzőtábor, munka,
stb -, egyedül, eddig szinte sosem mentem egyedül egy napnál többet
valahova, pláne nem messze, úgyhogy ez mindenképpen új élmény.&lt;/p&gt;
&lt;p&gt;Ami ide vezetett az már bonyolultabb. Merlin születése óta az élet
folyamatosan, szörnyű sebességgel dobálja az állandó figyelmet igénylő
mindennapokat. Egy irodai munkahely ma elvárja, hogy perceken belül
válaszolj az 50 csoportbeszélgetés bármelyikében, miközben a két
kezeddel az eredeti feladatkörödet teljesíted, a füleddel az
értekezletet&lt;a href="#fn2" class="footnote-ref" id="fnref2"
role="doc-noteref"&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/a&gt; hallgatod, az agyad pedig táncoló
elefántokon tányérokat pörgető bohócként próbál mindent egyben
tartani.&lt;/p&gt;
&lt;p&gt;Válts témát, feladatot, bármikor, ritmustalanul, váratlanul, napi
nyolc órában - vagyishát napi 14 órában, hiszen otthonról dolgozol, és
amikor kilépsz az munkázást (4 évesen így kell mondani) jelző szoba
ajtaján, a 4 éves boldogan és örömmel jön, hogy végre vele foglalkozok.
Teljesen igaza van, és szörnyű lenne, ha nem jönne, de attól még
megpróbáltatás.&lt;/p&gt;
&lt;p&gt;Amikor nem otthon vagyok, akkor órákat tartok. Egyfajta tai chi-t,
íjászatot, visszafogott soft-contact harcművészetet. Ott arra figyelek,
hogy ne legyen senkinek baja: miközben a mellettem levőnek magyarázok a
hátsó szemeimmel a termet pásztázom. Részben kikapcsol, de attól még
minden héten van, és hiába lenne éppen aznap máshoz kedve az embernek,
számítanak rá. Fizetnek érte, így jogos az elvárás, bár amit fizetnek az
a termet és a felszerelést fedezi. Nagyjából. Sosem volt célom tanítani
ezt, viszont nem volt más, aki megtette volna. Ha 5 évvel ezelőtt nem
ugrok bele, akkor lehet, hogy nincs több íjászat az élemben, és ezt nem
akartam.&lt;/p&gt;
&lt;p&gt;Valahogy így telt az elmúlt 4 év. Azon kaptam magam, hogy egyszerre
vagyok képtelen megállni és nem csinálni, nem fogyasztani, nem nézni,
nem hallgatni valamit. Ugyanakkor tisztán gondolkozni, ködös
gondolatfoszlányok helyett egybefüggő mondatokkal és célokkal alig
vagyok voltam képes már egy jó ideje.&lt;/p&gt;
&lt;p&gt;A semmittevésre, unalomra óriási szükség van, a gond az, hogy
undorítóan könnyű lett megkerülni, megszüntetni.&lt;/p&gt;
&lt;p&gt;Évekkel ezelőtt valahol olvastam, hogy milyen fantasztikus dolog,
hogy a “holt” időt végre ki tudjuk használni az okostelefonokkal. Azokat
a rövid időszakokat, amikor várunk a buszra, amikor utazunk a metrón.
&lt;del&gt;Tíz&lt;/del&gt; &lt;del&gt;Húsz&lt;/del&gt;&lt;a href="#fn3" class="footnote-ref"
id="fnref3" role="doc-noteref"&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/a&gt; harminc, ötven, száz
évvel ezelőtt is volt “megoldás”: könyv, újság, később walkman. Viszont
az iphone, és leginkább az instagram óta az a normális, hogy végtelen és
végtelenül üres vizuális orkánt nyelünk a szemeinkkel minden “holt”
percben. Meg nem holt percben. Minden percben. És nincs vége, mint egy
könyvnek, nem kell kicserélni a kazettát, vagy előre tekerni, megy
tovább a végtelen tartalom, magától. Mint ahogyan a mai játékoknak sincs
vége, open world, ahelyett, hogy odavágnád a kontrollert, miután
mindhárom életednek annyi az Aladdinban&lt;a href="#fn4"
class="footnote-ref" id="fnref4" role="doc-noteref"&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/a&gt;, és
kimennél biciklizni.&lt;/p&gt;
&lt;p&gt;Gyerekkoromból dereng egy sorozat, amiben a gyerekek valami kütyüvel
videótelefonálni tudtak egymással, bármikor, bárhonnan. Hogy mennyire
lehetetlenül fantasztikusnak tartottam, és mennyire szerettem volna egy
olyat. Ma van egy ilyenem, és sosem gondoltam volna, hogy az lesz nehéz,
hogy erre a célra használjam.&lt;/p&gt;
&lt;p&gt;A lényeg, hogy végre tartottam egy szünetet. Ültem és órákig néztem
egy szubtrópusi völgyet Agaete mellett, ahol az egyik legészakibb, és
egyben Európa egyetlen (kis csalással) kávéültetvényei vannak. Sétáltam
és szagoltam a Kanári-fenyők illatát, ami, ha kisüt a nap, vetekszik
bármilyen aromaterápiás kezeléssel. Feladtam terveket, mert lezárták a
hegyről kivezető utat rally miatt, és átsétáltam egy mesebeli völgybe,
barlangokba épített lakások között, hogy utána órákig élvezzem a kiltást
egy völgyből az óceán felé, körülölelve sziklákkal és hegyekkel, aminek
a méreteit Norvégia fjodrjaihoz tudom hasonlítani. Visszamentem egy
barlanglakásba megszállni, lehetetlen kilátással, hogy a szelet
hallgassam.&lt;/p&gt;
&lt;p&gt;Segített. 3 nap múlva elkezdtem végre ráeszmélni, szavakba önteni,
hogy a bajom ott kezdődik, hogy nem ülök le egy órára a tüzet nézni
anélkül, hogy ennék, vagy hogy legalább zene is menne. Az egész
fájdalmasan egybevág egy könyvvel&lt;a href="#fn5" class="footnote-ref"
id="fnref5" role="doc-noteref"&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/a&gt;, amit teljesen
véletlenül találtam egy antikváriumban. Ellentétben a legtöbb
spirituális megközelítéssel a könyv a görög pantheonnal közelíti meg a
problémát: Hermésszel, a nyüzsgés urával valamint Hesztiával, a ház
tüzének istennőjével. A mondanivaló egyszerű: nem szabad a nyugit
elhanyagolni, sem abból a szempontból, hogy állj meg, sem abból, hogy a
kuckód legyen megnyugtató, és amikor hazatérsz, segítsen
megnyugodni.&lt;/p&gt;
&lt;p&gt;Vannak mesék és történetek, amik, attól függően, hogy életed melyik
szakaszában olvasodt, mást és mást jelentenek. A legismertebb ilyen a
Kis Herceg, de néha akad egy-egy rejtett pillanat másban is.
Meglepetésemre még az a 1977-es Disney-féle Micimackóban filmben is:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Róbert Gida: Én legjobban azt szeretem, ha nem csinálok semmit.&lt;/p&gt;
&lt;p&gt;Micimackó: Semmit? Hogy csinálsz semmit?&lt;/p&gt;
&lt;p&gt;Róber Gida: Úgy, hogy amikor a felnőttek rámszólnak, "Most mit
csinálsz?", én azt felelem: "Semmit...". És odébbmegyek.&lt;/p&gt;
&lt;p&gt;Micimackó: De jó, csináljuk mindig ezt!&lt;/p&gt;
&lt;p&gt;Róber Gida: Tudod Mackó, semmit már soha többé nem csinálunk.&lt;/p&gt;
&lt;p&gt;Micimackó: Azt mondod, soha többé?&lt;/p&gt;
&lt;p&gt;Róber Gida: Hát, sokkal ritkábban.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Talán itt az idejen megint többet csinálni azt a semmit, bármilyen
nehéz is az elején, bármilyen lehetetlennek is tűnik kiszakadni a
tévesen tevékenynek tűnő tevésből.&lt;/p&gt;
&lt;section id="footnotes" class="footnotes footnotes-end-of-document"
role="doc-endnotes"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li id="fn1"&gt;&lt;p&gt;&lt;a
href="https://www.bbc.co.uk/news/articles/cn08jy6w0l5o"
class="uri"&gt;https://www.bbc.co.uk/news/articles/cn08jy6w0l5o&lt;/a&gt;&lt;a
href="#fnref1" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn2"&gt;&lt;p&gt;szándékosan nem &lt;em&gt;meeting&lt;/em&gt;-et írtam, ugyanis
amikor egyszer az anyukámnak értekezletet mondtam, rám nézett, és üres
tekintettel annyit mondott, hogy kérlek ne hívd így, az értekezlet
valami teljesen felesleges, kötelező dolgot juttat az eszembe. Ugye,
mennyivel találóbb, mint a megszépített, romanticizált, modern
“meeting”?&lt;a href="#fnref2" class="footnote-back"
role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn3"&gt;&lt;p&gt;2007-ben jelent meg az iphone. Majdnem 20 éve.&lt;a
href="#fnref3" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn4"&gt;&lt;p&gt;páran odaaták az Aladdint a mostani generációnak, vannak
róla videók, érdemes megnézni a sokkot, amikor rájönnek, hogy pl. nincs
mentés.&lt;a href="#fnref4" class="footnote-back"
role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn5"&gt;&lt;p&gt;&lt;a href="https://www.amazon.co.uk/dp/0722537174"
class="uri"&gt;https://www.amazon.co.uk/dp/0722537174&lt;/a&gt;&lt;a href="#fnref5"
class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;/section&gt;</content>
  </entry>
  <entry>
    <id>https://petermolnar.net/article/asn-blocking-freebsd-pf-nginx/</id>
    <title>Blocking complete ASN IP ranges automatically on FreeBSD with pf based on nginx logs</title>
    <updated>2026-07-01T07:00:15+00:00</updated>
    <published>2026-07-01T06:55:00+01:00</published>
    <author>
      <name>Peter Molnar</name>
    </author>
    <link href="https://petermolnar.net/article/asn-blocking-freebsd-pf-nginx/" rel="alternate" type="text/html"/>
    <category>article</category>
    <summary type="html">Some time ago I though that putting up an AI poison maze on my site is a great way of doing something against bots that do not respect robots.txt. It was, until I got hit by botnets which never back off.</summary>
    <content type="html">Some time ago I though that putting up an AI poison maze on my site is a great way of doing something against bots that do not respect robots.txt. It was, until I got hit by botnets which never back off.

&lt;p&gt;Initially, it was a syn flood. I don't know why I believed that the
FreeBSD and &lt;code&gt;pf&lt;/code&gt; defaults are protected against syn flood, so
there was a bit of tweaking needed in `&lt;code&gt;/etc/sysctl.conf&lt;/code&gt;.
Many thanks for the internet sources&lt;a href="#fn1" class="footnote-ref"
id="fnref1" role="doc-noteref"&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/a&gt;&lt;a href="#fn2"
class="footnote-ref" id="fnref2"
role="doc-noteref"&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;pre&gt;&lt;code lang="ini" class="language-ini"&gt;# drop tcp packets destined for closed ports (default 0) 
net.inet.tcp.blackhole=2
# SYN/FIN packets get dropped on initial connection (default 0)
net.inet.tcp.drop_synfin=1
# recycle FIN/WAIT states quickly, helps against DoS, but may cause false RST (default 0)
net.inet.tcp.fast_finwait2_recycle=1
# disable TCP Fast Open client side, enforce three way TCP handshake (default 1, enabled)
net.inet.tcp.fastopen.client_enable=0
# disable TCP Fast Open server side, enforce three way TCP handshake (default 0)
net.inet.tcp.fastopen.server_enable=0
# TCP FIN_WAIT_2 timeout waiting for client FIN packet before state close (default 60000, 60 sec)
net.inet.tcp.finwait2_timeout=1000
# icmp may not send RST to avoid spoofed icmp/udp floods (default 1)
net.inet.tcp.icmp_may_rst=0
# amount of tcp keep alive probe failures before socket is forced closed (default 8)
net.inet.tcp.keepcnt=2
# time before starting tcp keep alive probes on an idle, TCP connection (default 7200000, 7200 secs)
net.inet.tcp.keepidle=62000
# tcp keep alive client reply timeout (default 75000, 75 secs)
net.inet.tcp.keepinit=5000
# Maximum Segment Lifetime, time the connection spends in TIME_WAIT state (default 30000, 2*MSL = 60 sec)
net.inet.tcp.msl=2500
# disable for mtu=1500 as most paths drop ICMP type 3 packets, but keep enabled for mtu=9000 (default 1)
net.inet.tcp.path_mtu_discovery=0&lt;/code&gt;&lt;/pre&gt;
&lt;p&gt;But it just kept going, and nepenthes&lt;a href="#fn3"
class="footnote-ref" id="fnref3" role="doc-noteref"&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/a&gt; got
overwhelmed.&lt;/p&gt;
&lt;p&gt;At first, I turned off nepenthes, and returned a mere HTTP 410 from
nginx directly.&lt;/p&gt;
&lt;p&gt;And it kept going, because now the logging was so high traffic that
fail2ban was consuming enough CPU that everything else was starting to
have problem. I didn't think this was possible, but yes: apparently
fail2ban can use quite a lot of resources when it gets combined with
high volume logging.&lt;/p&gt;
&lt;p&gt;At one point I added a tarpit directly inside nginx, using the echo
module&lt;a href="#fn4" class="footnote-ref" id="fnref4"
role="doc-noteref"&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/a&gt; and it's delay feature.&lt;/p&gt;
&lt;pre&gt;&lt;code lang="nginx" class="language-nginx"&gt;    echo &amp;#39;    &amp;lt;!DOCTYPE html&amp;gt;&amp;#39;;
    echo_sleep 2;
    echo &amp;#39;    &amp;lt;html lang=en&amp;gt;&amp;#39;;
    echo_sleep 4;
    echo &amp;#39;        &amp;lt;head&amp;gt;&amp;#39;;
    echo_sleep 8;
    echo &amp;#39;            &amp;lt;meta charset=utf-8&amp;gt;&amp;#39;;
    echo_sleep 16;
    echo &amp;#39;            &amp;lt;title&amp;gt;&amp;lt;/title&amp;gt;&amp;#39;;
    echo_sleep 32;
    echo &amp;#39;        &amp;lt;/head&amp;gt;&amp;#39;;
    echo_sleep 64;
    echo &amp;#39;        &amp;lt;body&amp;gt;&amp;#39;;
    echo_sleep 128;
    echo &amp;#39;            &amp;lt;blockquote&amp;gt;&amp;#39;;
    echo_sleep 256;
    echo &amp;#39;                &amp;lt;p&amp;gt;&amp;#39;;
    echo_sleep 512;
    echo &amp;#39;                    I must not fear. &amp;#39;;
    echo_sleep 1024;
    echo &amp;#39;                    Fear is the mind-killer. &amp;#39;;
    echo_sleep 2048;
    echo &amp;#39;                    Fear is the little-death that brings total obliteration. &amp;#39;;
    echo_sleep 4096;
    echo &amp;#39;                    I will face my fear. &amp;#39;;
    echo_sleep 8192;
    echo &amp;#39;                    I will permit it to pass over me and through me. &amp;#39;;
    echo_sleep 16384;
    echo &amp;#39;                    And when it has gone past I will turn the inner eye to see its path. &amp;#39;;
    echo_sleep 32768;
    echo &amp;#39;                    Where the fear has gone there will be nothing. &amp;#39;;
    echo_sleep 65535;
    echo &amp;#39;                    Only I will remain.&amp;#39;;
    echo_sleep 131072;
    echo &amp;#39;                &amp;lt;/p&amp;gt;&amp;#39;;
    echo_sleep 262144;
    echo &amp;#39;                &amp;lt;p&amp;gt;—Frank Herbert, &amp;lt;cite&amp;gt;Dune&amp;lt;/cite&amp;gt;&amp;lt;/p&amp;gt;&amp;#39;;
    echo_sleep 524288;
    echo &amp;#39;            &amp;lt;/blockquote&amp;gt;&amp;#39;;
    echo_sleep 1048576;
    echo &amp;#39;        &amp;lt;/body&amp;gt;&amp;#39;;
    echo_sleep 2097152;
    echo &amp;#39;    &amp;lt;/html&amp;gt;&amp;#39;; 
&lt;/code&gt;&lt;/pre&gt;
&lt;p&gt;I ended up with 130k open connection. &lt;img
src="hidethepainharold.jpg" class="pictureintext" alt="harold" /&gt;&lt;/p&gt;
&lt;p&gt;The current solution, which I'm hoping to work for a while, was to
add ASN data into my blocked logs, devise a cron job that gets the list
of ASN entries, and block them if they go above X per hour - X is
currently 100. So far, this is working.&lt;/p&gt;
&lt;h3 id="step-0-get-asn-data"&gt;Step 0: get ASN data&lt;/h3&gt;
&lt;p&gt;&lt;code&gt;/usr/local/etc/cron.d/root&lt;/code&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;root, because I need to reload nginx&lt;/li&gt;
&lt;li&gt;yes, I use wget&lt;/li&gt;
&lt;li&gt;yes, my crons have &lt;code&gt;bash&lt;/code&gt; as shell&lt;/li&gt;
&lt;/ul&gt;
&lt;pre&gt;&lt;code lang="bash" class="language-bash"&gt;@daily root wget -q -O/var/db/ip-location-db/geolite2-asn.mmdb https://github.com/sapics/ip-location-db/releases/download/latest/geolite2-asn.mmdb &amp;gt;/dev/null &amp;amp;&amp;amp; /usr/sbin/service nginx reload

@daily root cd /var/db/ip-location-db &amp;amp;&amp;amp; wget -O/var/db/ip-location-db/asn_full.json.zip https://geoip.oxl.app/file/asn_full.json.zip &amp;amp;&amp;amp; unzip -d /var/db/ip-location-db -f /var/db/ip-location-db/asn_full.json.zip &amp;amp;&amp;amp; rm /var/db/ip-location-db/asn_full.json.zip &amp;amp;&amp;amp; /usr/sbin/service nginx reload&lt;/code&gt;&lt;/pre&gt;
&lt;h3 id="step-2-mount-a-tmpfs-so-i-dont-wear-out-my-ssd"&gt;Step 2: mount a
tmpfs, so I don't wear out my SSD&lt;/h3&gt;
&lt;p&gt;While &lt;code&gt;tmpfs&lt;/code&gt; is linuxism, but in this case, it's useful.
There's a log rotation set up for 200MB max size + daily, keeping only 1
additional, so it can't eat my memory, but I have little desire to wear
out my SSD with these logs.&lt;/p&gt;
&lt;p&gt;&lt;code&gt;/etc/fstab&lt;/code&gt;&lt;/p&gt;
&lt;pre&gt;&lt;code lang="bash" class="language-bash"&gt;tmpfs /shm tmpfs rw,mode=1777 0 0&lt;/code&gt;&lt;/pre&gt;
&lt;p&gt;&lt;code&gt;/boot/loader.conf&lt;/code&gt;&lt;/p&gt;
&lt;pre&gt;&lt;code lang="bash" class="language-bash"&gt;tmpfs_load=&amp;quot;YES&amp;quot;&lt;/code&gt;&lt;/pre&gt;
&lt;p&gt;If you don't want to reboot:&lt;/p&gt;
&lt;pre&gt;&lt;code lang="bash" class="language-bash"&gt;kldload tmpfs&lt;/code&gt;&lt;/pre&gt;
&lt;h3 id="step-3-get-ans-data-into-nginx-logs2"&gt;Step 3: get ANS data into
nginx logs&lt;a href="#fn5" class="footnote-ref" id="fnref5"
role="doc-noteref"&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;p&gt;Install the nginx geoip2 module - I leave it to you if you compile
nginx from ports with the relevant flags or install
&lt;code&gt;nginx-full&lt;/code&gt;, both are OK. I went with the first.&lt;/p&gt;
&lt;p&gt;&lt;code&gt;nginx.conf&lt;/code&gt;&lt;/p&gt;
&lt;pre&gt;&lt;code lang="nginx" class="language-nginx"&gt;load_module /usr/local/libexec/nginx/ngx_http_geoip2_module.so;

http {
        [...]

    geoip2 /var/db/ip-location-db/geolite2-asn.mmdb {
        $geoip2_asn autonomous_system_number;
        $geoip2_asname autonomous_system_organization;
    }

    log_format minimal &amp;#39;$time_iso8601 $remote_addr $geoip2_asn &amp;quot;$geoip2_asname&amp;quot; $server_name &amp;quot;$request&amp;quot; $status $request_time&amp;#39;;
    
    [...]
    
    server {
      [...]
      location /nope {
          access_log /shm/blocked.log minimal;
          return 401;
      }
    }
}&lt;/code&gt;&lt;/pre&gt;
&lt;h3 id="step-4-block-all-the-things"&gt;Step 4: block all the things&lt;/h3&gt;
&lt;p&gt;&lt;code&gt;/usr/local/bin/block-asn-pf.py&lt;/code&gt;&lt;/p&gt;
&lt;pre&gt;&lt;code lang="python" class="language-python"&gt;#!/usr/local/bin/python3.11

import argparse
import json
import syslog
import os

parser = argparse.ArgumentParser()
parser.add_argument(&amp;#39;asn&amp;#39;)
args = parser.parse_args()

with open(&amp;#39;/var/db/ip-location-db/asn_full.json&amp;#39;) as f:
    asninfo = json.load(f)

for cidr in asninfo.get(args.asn, {}).get(&amp;#39;ipv4&amp;#39;, []):
    cmd=f&amp;quot;pfctl -t badips -T add {cidr}&amp;quot;
    os.system(cmd)&lt;/code&gt;&lt;/pre&gt;
&lt;p&gt;&lt;code&gt;/usr/local/etc/cron.d/root&lt;/code&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;root, because it pipes into &lt;code&gt;pf&lt;/code&gt;&lt;/li&gt;
&lt;li&gt;there's most likely an elegant way to do it in &lt;code&gt;awk&lt;/code&gt;
only, but there's a reason why it's called awkward&lt;/li&gt;
&lt;/ul&gt;
&lt;pre&gt;&lt;code lang="bash" class="language-bash"&gt;@hourly root for asn in $(cat /shm/blocked.log| awk &amp;#39;{print $3}&amp;#39; | sort | uniq -cd | awk -v limit=100 &amp;#39;$1 &amp;gt; limit{print $2}&amp;#39;); do /usr/local/bin/block-asn-pf.py $asn &amp;gt;/dev/null 2&amp;gt;&amp;amp;1; done;

# clean IPs up after a day
@hourly root pfctl -t badips -T expire 86400 &amp;gt;/dev/null 2&amp;gt;&amp;amp;1&lt;/code&gt;&lt;/pre&gt;
&lt;p&gt;&lt;code&gt;/usr/local/etc/pf.conf&lt;/code&gt;&lt;/p&gt;
&lt;pre&gt;&lt;code lang="bash" class="language-bash"&gt;table &amp;lt;badips&amp;gt; persist
block drop in quick from &amp;lt;badips&amp;gt; to any 
block in from &amp;lt;badips&amp;gt; &lt;/code&gt;&lt;/pre&gt;
&lt;h3 id="extra-block-spamhaus-drop"&gt;Extra: block Spamhaus DROP&lt;/h3&gt;
&lt;p&gt;Spamhaus provides a "Don't Route Or Peer Lists (DROP)" &lt;a href="#fn6"
class="footnote-ref" id="fnref6" role="doc-noteref"&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/a&gt;
list for IP addresses that are really not nice, so it's worth adding
them to the same blocked table&lt;/p&gt;
&lt;p&gt;&lt;code&gt;/usr/local/etc/cron.d/root&lt;/code&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;root, it pipes into &lt;code&gt;pf&lt;/code&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;pre&gt;&lt;code lang="bash" class="language-bash"&gt;@hourly root curl -s https://www.spamhaus.org/drop/drop_v4.json | jq -r &amp;#39;.cidr&amp;#39; | grep -E &amp;#39;^[0-9]&amp;#39; |  sed -r &amp;#39;s/(.*)/pfctl -t badips -T add \1/&amp;#39; | bash &amp;gt;/dev/null 2&amp;gt;&amp;amp;1&lt;/code&gt;&lt;/pre&gt;
&lt;section id="footnotes" class="footnotes footnotes-end-of-document"
role="doc-endnotes"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li id="fn1"&gt;&lt;p&gt;&lt;a
href="https://forums.freebsd.org/threads/trying-to-fight-syn-flood.76879/"
class="uri"&gt;https://forums.freebsd.org/threads/trying-to-fight-syn-flood.76879/&lt;/a&gt;&lt;a
href="#fnref1" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn2"&gt;&lt;p&gt;&lt;a
href="https://calomel.org/freebsd_network_tuning.html"
class="uri"&gt;https://calomel.org/freebsd_network_tuning.html&lt;/a&gt;&lt;a
href="#fnref2" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn3"&gt;&lt;p&gt;&lt;a href="https://zadzmo.org/code/nepenthes/"
class="uri"&gt;https://zadzmo.org/code/nepenthes/&lt;/a&gt;&lt;a href="#fnref3"
class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn4"&gt;&lt;p&gt;&lt;a
href="https://github.com/openresty/echo-nginx-module#echo_sleep"
class="uri"&gt;https://github.com/openresty/echo-nginx-module#echo_sleep&lt;/a&gt;&lt;a
href="#fnref4" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn5"&gt;&lt;p&gt;&lt;a href="https://www.bakker.net/kb/nginx-geoip/"
class="uri"&gt;https://www.bakker.net/kb/nginx-geoip/&lt;/a&gt;&lt;a href="#fnref5"
class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn6"&gt;&lt;p&gt;&lt;a
href="https://www.spamhaus.org/blocklists/do-not-route-or-peer/"
class="uri"&gt;https://www.spamhaus.org/blocklists/do-not-route-or-peer/&lt;/a&gt;&lt;a
href="#fnref6" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;/section&gt;</content>
  </entry>
  <entry>
    <id>https://petermolnar.net/photo/barranco-de-guayadeque/</id>
    <title>Barranco de Guayadeque</title>
    <updated>2026-09-23T12:06:20+00:00</updated>
    <published>2026-05-08T18:45:00+01:00</published>
    <author>
      <name>Peter Molnar</name>
    </author>
    <link href="https://petermolnar.net/photo/barranco-de-guayadeque/" rel="alternate" type="text/html"/>
    <category>photo</category>
    <summary type="html">&lt;p&gt;Due to some road closures I moved my openstreetmaps planned journey
through the mountains to more cave houses up one day, and it was
definitely worth it. The view is magnificent - squint, the ocean is
right at the end -, if you leave early enough in April…&lt;/p&gt;</summary>
    <link rel="enclosure" href="https://petermolnar.net/photo/barranco-de-guayadeque/barranco-de-guayadeque.jpg" type="image/jpeg" length="83496"/>
    <content type="html">&lt;p&gt;&lt;img src="https://petermolnar.net/photo/barranco-de-guayadeque/barranco-de-guayadeque.jpg" alt="Barranco de Guayadeque" /&gt;&lt;/p&gt;
&lt;p&gt;Due to some road closures I moved my openstreetmaps planned journey
through the mountains to more cave houses up one day, and it was
definitely worth it. The view is magnificent - squint, the ocean is
right at the end -, if you leave early enough in April, like I did,
beyond the buzzing and humming of bees, there's only peace around.&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>https://petermolnar.net/photo/pico-de-las-nieves-in-the-cloud/</id>
    <title>Pico de las Nieves in the cloud</title>
    <updated>2026-05-07T21:43:07+00:00</updated>
    <published>2026-05-07T21:30:00+01:00</published>
    <author>
      <name>Peter Molnar</name>
    </author>
    <link href="https://petermolnar.net/photo/pico-de-las-nieves-in-the-cloud/" rel="alternate" type="text/html"/>
    <category>photo</category>
    <summary type="html">&lt;p&gt;My first destination on Gran Canaria was the pine forest close to me.
I've been to southern pine forests at other locations, but that
wonderful, serene scent that a canary pine forest disperses when the
full sun warms them up is second to none.&lt;/p&gt;</summary>
    <link rel="enclosure" href="https://petermolnar.net/photo/pico-de-las-nieves-in-the-cloud/pico-de-las-nieves-in-the-cloud.jpg" type="image/jpeg" length="143500"/>
    <content type="html">&lt;p&gt;&lt;img src="https://petermolnar.net/photo/pico-de-las-nieves-in-the-cloud/pico-de-las-nieves-in-the-cloud.jpg" alt="Pico de las Nieves in the cloud" /&gt;&lt;/p&gt;
&lt;p&gt;My first destination on Gran Canaria was the pine forest close to me.
I've been to southern pine forests at other locations, but that
wonderful, serene scent that a canary pine forest disperses when the
full sun warms them up is second to none.&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>https://petermolnar.net/note/re-ohhelloanablognew-forest/</id>
    <title>05 April, 2026</title>
    <updated>2026-04-05T08:42:53+00:00</updated>
    <published>2026-04-05T07:38:40.160308+00:00</published>
    <author>
      <name>Peter Molnar</name>
    </author>
    <link href="https://petermolnar.net/note/re-ohhelloanablognew-forest/" rel="alternate" type="text/html"/>
    <category>note</category>
    <summary type="html">&lt;blockquote&gt;
&lt;p&gt;It really is the stupid phone ruining everything isn’t it? The stupid
screens of doom and the stupidity of the world isn’t it?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yes.&lt;/p&gt;
&lt;p&gt;However, it's not the device itself, and not the base functionalities
of the device. I remember a series from my youth - …&lt;/p&gt;</summary>
    <content type="html">&lt;p&gt;This post is a reply to: &lt;a href="https://ohhelloana.blog/new-forest/"&gt;https://ohhelloana.blog/new-forest/&lt;/a&gt;&lt;/p&gt;&lt;blockquote&gt;
&lt;p&gt;It really is the stupid phone ruining everything isn’t it? The stupid
screens of doom and the stupidity of the world isn’t it?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Yes.&lt;/p&gt;
&lt;p&gt;However, it's not the device itself, and not the base functionalities
of the device. I remember a series from my youth - "Den korsikanske
biskopen"&lt;a href="#fn1" class="footnote-ref" id="fnref1"
role="doc-noteref"&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/a&gt; - where the kids had these fantastic
gadgets with video calls and other features, and I always marvelled at
it.&lt;/p&gt;
&lt;p&gt;I think the major difference was that those gizmos were something of
a closed circuit, an semi-offline-ish thing: knowledge in your pocket,
communication with friends. The utopistic gadgets never have the option
to browse the news - an important feature to use them only when
needed.&lt;/p&gt;
&lt;p&gt;What they also didn't do is broadcasting.&lt;/p&gt;
&lt;p&gt;The "free" broadcasting the wider internet brought is dismal. Most
can't make sense of it, and it turns into vanity, into narcissism. Blogs
were open diaries, were a way to, with an alter ego, share what we may
not have been brave enough, or didn't have the stage to share within out
normie life. Instagram, TikTok, and the rest, on the other hand, are
bringing the worst out of people: not for the sake of being themselves,
but to be something people can follow.&lt;/p&gt;
&lt;p&gt;Some of the modern internet is incredible, but look at the times from
before the iphone: there was less vanity, no instagram and tiktok
brainrot - albeit Ren and Stimpy and Happy Tree Friends were
hardcore.&lt;/p&gt;
&lt;p&gt;These should not be in our pockets; it's a weigh that is dragging
everyone down into a swamp.&lt;/p&gt;
&lt;section id="footnotes" class="footnotes footnotes-end-of-document"
role="doc-endnotes"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li id="fn1"&gt;&lt;p&gt;&lt;a href="https://www.imdb.com/title/tt0140316/"
class="uri"&gt;https://www.imdb.com/title/tt0140316/&lt;/a&gt;&lt;a href="#fnref1"
class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;/section&gt;</content>
  </entry>
  <entry>
    <id>https://petermolnar.net/journal/were-murdering-the-night/</id>
    <title>We're murdering the night</title>
    <updated>2025-12-19T22:22:44+00:00</updated>
    <published>2025-12-19T22:22:00+00:00</published>
    <author>
      <name>Peter Molnar</name>
    </author>
    <link href="https://petermolnar.net/journal/were-murdering-the-night/" rel="alternate" type="text/html"/>
    <category>journal</category>
    <summary type="html">Dark, winter-y, eXistenZial questions</summary>
    <content type="html">Dark, winter-y, eXistenZial questions

&lt;p&gt;&lt;em&gt;Death to varying temperature! Death to day and night! Death to
shorter and longer days! Death to all cycles natural! &lt;del&gt;Death to the
demoness Allegra Geller! Death to Pilgrimage! Death to transCendenZ!&lt;a
href="#fn1" class="footnote-ref" id="fnref1"
role="doc-noteref"&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/a&gt;&lt;/del&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Apologies for the bombastic first few lines, I thought I'd try to
capture the essence of what is about to follow, but I got carried
away.&lt;/p&gt;
&lt;p&gt;Yesterday I was walking back home and noticed how, before reaching
the roundabout, the lights are still sodium-vapour (natrium for the
sensible world) lamp, whereas after it the lights are white LEDs. For a
moment an ISS photo of the East/West Berlin line came to my mind&lt;a
href="#fn2" class="footnote-ref" id="fnref2"
role="doc-noteref"&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/a&gt;:&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/were-murdering-the-night/esa-berlin_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/were-murdering-the-night/esa-berlin_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/were-murdering-the-night/esa-berlin.jpg" class="horizontal" title="esa-berlin.jpg" alt="This undated photo provided by the European Space Agency and captured
by ESA astronaut Andre Kuipers, shows the German capital Berlin from the
International Space Station, ISS. Seen from above, street lights in the
former East Berlin appear slightly more orange; those in the western
part of the city are a harsher yellow. ESA / AP" width="720" height="479" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;This undated photo provided by the European Space
Agency and captured by ESA astronaut Andre Kuipers, shows the German
capital Berlin from the International Space Station, ISS. Seen from
above, street lights in the former East Berlin appear slightly more
orange; those in the western part of the city are a harsher yellow. ESA
/ AP&lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;I'm from Hungary, and night always meant the deep yellow of the
sodium lamps. As more and more research went into it it turned out
sodium lamps are absolutely ideal for nights: our human eyes are quite
sensitive it's very narrow light spectrum (it's yellow, and only yellow,
if you think you see any other colours with it, look again), they are
elegantly energy efficient, and night life is barely disturbed by
them.&lt;/p&gt;
&lt;p&gt;But lately it's all cheap, badly designed, shitty LEDs everywhere,
which aren't even saving considerable money, as those sodium lamps are
nearly as efficient. The retail park in Cambridge now has some
&lt;strong&gt;purple&lt;/strong&gt; street lamps, because they are so cheap LEDs
that their coating disintegrated, allowing the purple/UV spectrum to
burst through&lt;a href="#fn3" class="footnote-ref" id="fnref3"
role="doc-noteref"&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;One of my life hacks was that I kept using a halogen bulb in my desk
lamp. It just feels more natural, and the excess heat from it literally
warms me up, which is not something to dismiss in the glorious UK
winter.&lt;/p&gt;
&lt;p&gt;Unfortunately I got curious, and the promise of better angles and
less desk space sounded wonderful, so I bought a second hand BenQ
ScreenBar. It took me months to realise that it was sucking the life,
the creativity, and the will out of me.&lt;/p&gt;
&lt;p&gt;I don't have a scientific explanation, but once I put my trusty IKEA
desk lamp back with that halogen bulb I finally regained some of my
stubbornness to do things. Is it CRI? Is it the colour temperature? Is
it the infrared emissions? I don't know, and neither do others, but LED
lighting is lifeless&lt;a href="#fn4" class="footnote-ref" id="fnref4"
role="doc-noteref"&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/a&gt;. You can get away with it as some
places, and it makes decent Christmas tree lights, for me, it's horrible
as desk lighting.&lt;/p&gt;
&lt;p&gt;Those LED street lights could also be better. Philips installed red,
bat-friendly night-time lighting&lt;a href="#fn5" class="footnote-ref"
id="fnref5" role="doc-noteref"&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/a&gt; in 2018 in the
Netherlands, and there are promising amber LED street light projects&lt;a
href="#fn6" class="footnote-ref" id="fnref6"
role="doc-noteref"&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/a&gt;&lt;a href="#fn7" class="footnote-ref"
id="fnref7" role="doc-noteref"&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/a&gt; - but we'll still light
the night up. Because safety, convenience, and... because we're afraid
of the dark? Even my desk lamp and it's halogen bulb contributes to this
sinister light pollution, which disturbs or vaporises natural sleep and
relaxation cycles.&lt;/p&gt;
&lt;p&gt;Nowadays, thanks to the pandemic, I work from home. There are social
implications and I'm extremely unhappy that my employer got rid of the
yearly department and company level gatherings, leaving us with sad,
online only events. However, the health benefits are incredible: I don't
have to use an AC&lt;a href="#fn8" class="footnote-ref" id="fnref8"
role="doc-noteref"&gt;&lt;sup&gt;8&lt;/sup&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I know people who go mad in the scourging heat of the British summer,
which might even reach 30°C, so they set the AC to 18°C. And then in
winter, usually the same people set the AC to 24°C.&lt;/p&gt;
&lt;p&gt;The human temperature tolerance is meagre compared to a lot of
animals. I have to wear thick wool jumpers (thanks to the universe, Aran
knits exist&lt;a href="#fn9" class="footnote-ref" id="fnref9"
role="doc-noteref"&gt;&lt;sup&gt;9&lt;/sup&gt;&lt;/a&gt;) below 20°C and shorts above
~26-27°C. I do get uncomfortable working when my room temperature is
above 29°C - because it's not meant for working, we should be resting,
like people in the mediterraneum used to at midday. I also put the
heating on to keep my home above 18°C - which makes me question where
us, humans, would be truly comfortable in the world, if we didn't have
heating.&lt;/p&gt;
&lt;p&gt;So you see: with the pandemic and with working from home I re-gained
one, albeit small natural cycle: that winter is colder and summer is
warmer.&lt;/p&gt;
&lt;p&gt;But what about the other cycles?&lt;/p&gt;
&lt;p&gt;What about seasonal eating, about what food should and shouldn't we
eat at different times of the day? What about the cycles of shorter and
longer day? Shouldn't we align our working and sleeping hours instead of
going 9-5 like machines? What about night and day cycles, shouldn't we
have actual darkness at some point? About body meridian cycles, one's
natural sleep patterns, and so on? Why are we trying to eliminate
cycles?&lt;/p&gt;
&lt;p&gt;Words from the greatest ever film monologue might be apt here:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Don’t give yourselves to these unnatural men - machine men with
machine minds and machine hearts! You are not machines! You are not
cattle! You are men!&lt;/p&gt;
&lt;p&gt;Charlie Chaplin - The Final Speech from The Great Dictator&lt;a
href="#fn10" class="footnote-ref" id="fnref10"
role="doc-noteref"&gt;&lt;sup&gt;10&lt;/sup&gt;&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;But what if that's the goal, machine men, with machine hearts?&lt;/p&gt;
&lt;p&gt;What if all these small cycles are hidden reminders of the one cycle
nobody can bypass: that our life begins and ends. That everything
decays. Is that why we're trying to murder the nights, the yearly, the
seasonal, the daily cycles, so that our own cycle will also stop?&lt;/p&gt;
&lt;p&gt;I wouldn't be surprised if the nation leaders recently caught on tape
discussing living up to 150&lt;a href="#fn11" class="footnote-ref"
id="fnref11" role="doc-noteref"&gt;&lt;sup&gt;11&lt;/sup&gt;&lt;/a&gt; would think this way.
I'm really hoping that Chaplin wasn't wrong, and&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The hate of men will pass, and dictators die, and the power they took
from the people will return to the people. And so long as men die,
liberty will never perish…&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;still stands.&lt;/p&gt;
&lt;p&gt;But to return a bit from the disturbed thoughts maybe the secret is
to slowly but steadily embrace what we can.&lt;/p&gt;
&lt;p&gt;Working from home opens the door not just for the temperature cycles
to creep in, but to have a nap when needed. Blackouts are available to
make our rooms truly dark throughout the night. We can email our city
councillors to embrace wildlife friendly, more natural street lights.
And we can put halogen bulbs into our desk lamps - that is as long as we
can buy and stockpile halogen and incandescent bulbs.&lt;/p&gt;
&lt;section id="footnotes" class="footnotes footnotes-end-of-document"
role="doc-endnotes"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li id="fn1"&gt;&lt;p&gt;eXistenZ (1999) is a dividing film, but I believe it's
genius and disturbing.. &lt;details&gt;&lt;summary&gt;SPOILER&lt;/summary&gt;During the
movie, Allegra, at one point, at the trout farm, repeats her sentence
exactly the same way, which she previously described to be a tell-tale
of NPCs. In the end both Ted and Allegra behave very much like NPC, with
their expressions, the way of talking, limited reactions, etc. So the
real question is: who is the player? I'm not alone trying to figure it
out: &lt;a
href="https://moviechat.org/tt0120907/eXistenZ/58c764d26b51e905f682e9ad/The-dog-is-the-proof?reply=58c764d26b51e905f682e9df"
class="uri"&gt;https://moviechat.org/tt0120907/eXistenZ/58c764d26b51e905f682e9ad/The-dog-is-the-proof?reply=58c764d26b51e905f682e9df&lt;/a&gt;&lt;/details&gt;&lt;a
href="#fnref1" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn2"&gt;&lt;p&gt;&lt;a
href="https://www.businessinsider.com/divide-between-west-east-berlin-from-space-today-2019-11"
class="uri"&gt;https://www.businessinsider.com/divide-between-west-east-berlin-from-space-today-2019-11&lt;/a&gt;&lt;a
href="#fnref2" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn3"&gt;&lt;p&gt;&lt;a
href="https://hackaday.com/2025/05/30/white-led-turning-purple-analyzing-a-phosphor-failure/"
class="uri"&gt;https://hackaday.com/2025/05/30/white-led-turning-purple-analyzing-a-phosphor-failure/&lt;/a&gt;&lt;a
href="#fnref3" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn4"&gt;&lt;p&gt;&lt;a
href="https://nymag.com/strategist/article/led-light-bulbs-investigation.html"
class="uri"&gt;https://nymag.com/strategist/article/led-light-bulbs-investigation.html&lt;/a&gt;&lt;a
href="#fnref4" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn5"&gt;&lt;p&gt;&lt;a
href="https://images.philips.com/is/content/PhilipsConsumer/PDFDownloads/Global/Case-studies/CSLI20180612_001-UPD-en_AA-Nieuwkoop-bat-friendly-lighting-case-study-philips-light-recipe-June-18.pdf"
class="uri"&gt;https://images.philips.com/is/content/PhilipsConsumer/PDFDownloads/Global/Case-studies/CSLI20180612_001-UPD-en_AA-Nieuwkoop-bat-friendly-lighting-case-study-philips-light-recipe-June-18.pdf&lt;/a&gt;&lt;a
href="#fnref5" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn6"&gt;&lt;p&gt;&lt;a
href="https://www.optic-gaggione.com/materials/amber-optics-for-street-lighting/"
class="uri"&gt;https://www.optic-gaggione.com/materials/amber-optics-for-street-lighting/&lt;/a&gt;&lt;a
href="#fnref6" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn7"&gt;&lt;p&gt;&lt;a
href="https://www.mic-led.com/news/why-cities-are-vying-for-amber-led-street-light-the-futures-orange"
class="uri"&gt;https://www.mic-led.com/news/why-cities-are-vying-for-amber-led-street-light-the-futures-orange&lt;/a&gt;&lt;a
href="#fnref7" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn8"&gt;&lt;p&gt;&lt;a href="https://cubari.moe/read/gist/JYHJU/011/3/"
class="uri"&gt;https://cubari.moe/read/gist/JYHJU/011/3/&lt;/a&gt;&lt;a
href="#fnref8" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn9"&gt;&lt;p&gt;&lt;a href="https://www.aran.com/"
class="uri"&gt;https://www.aran.com/&lt;/a&gt;&lt;a href="#fnref9"
class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn10"&gt;&lt;p&gt;&lt;a
href="https://www.charliechaplin.com/en/synopsis/articles/29-The-Great-Dictator-s-Speech"
class="uri"&gt;https://www.charliechaplin.com/en/synopsis/articles/29-The-Great-Dictator-s-Speech&lt;/a&gt;&lt;a
href="#fnref10" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn11"&gt;&lt;p&gt;&lt;a
href="https://www.bbc.com/news/articles/cr70rvrd41ko"
class="uri"&gt;https://www.bbc.com/news/articles/cr70rvrd41ko&lt;/a&gt;&lt;a
href="#fnref11" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;/section&gt;</content>
  </entry>
  <entry>
    <id>https://petermolnar.net/journal/the-office-and-the-vintage/</id>
    <title>The tiny office, the compact cassettes, and the speaker upgrades</title>
    <updated>2025-12-16T14:39:30+00:00</updated>
    <published>2025-11-04T18:54:00+00:00</published>
    <author>
      <name>Peter Molnar</name>
    </author>
    <link href="https://petermolnar.net/journal/the-office-and-the-vintage/" rel="alternate" type="text/html"/>
    <category>journal</category>
    <summary type="html">Thanks to a vintage receiver that came with the cassette deck, which I got because I had to deal with my box of cassettes from my childhood days, I upgraded my office desk speakers.</summary>
    <content type="html">Thanks to a vintage receiver that came with the cassette deck, which I got because I had to deal with my box of cassettes from my childhood days, I upgraded my office desk speakers.

&lt;h2 id="my-tiny-home-office-desk"&gt;My tiny home office desk&lt;/h2&gt;
&lt;p&gt;At the end of 2019 we moved into THE average UK house: the mythical
semi-detached, as a friend referred to it. &lt;em&gt;He was brought up in
Bath, which, apparently, lacks these omnipresent dwellings, so when he
moved out from there and was presented with them - as these were often
mentioned as the national average - he greeted them as a beast of myths
and legends.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;It's a mid 50s Laing Easiform, one of the non traditional
constructions - concrete in the UK is non-traditional, given a meagre
100 years of these being built doesn't add up to tradition yet - that
was not deemed faulty in the '85 incursion into prefab houses. Possibly
because it's not prefab&lt;a href="#fn1" class="footnote-ref" id="fnref1"
role="doc-noteref"&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Saying that this house is 3 bedroom is overselling it a bit: there
are two large-ish bedrooms, and one ~2.4x2.4m, which became my office
and our guest room. Because of this, my desk is rather cramped: it's
whole 25 + 80 cm wide, 80cm deep, a now discontinued IKEA Ivar drop down
desk, so it can be closed when the room acts as a guest bedroom. I'd
definitely love a stereotypical hacker basement&lt;a href="#fn2"
class="footnote-ref" id="fnref2" role="doc-noteref"&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/a&gt; but
I'll work with what I have.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/2020-07-19-kisszoba_large.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/2020-07-19-kisszoba_large.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/2020-07-19-kisszoba.jpg" class="horizontal" title="2020-07-19-kisszoba.jpg" alt="It looks better now, this was in between the first and second
lockdowns, in 2020" width="720" height="540" loading="lazy"&gt; &lt;/picture&gt;
&lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;It looks better now, this was in between the first and
second lockdowns, in 2020&lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;In 2020, when the world was told to stay at home, we bought
floorstanding speakers to bring a bit more of the world home. The
Panasonic micro bookshelf speakers, SB-PM500 that I got for about £20
when we moved to the UK in 2012 moved up with me. I tried to play with
their placement, but you can see, there aren't many good options. I was
driving them with a £15 class-D micro amp, a ZK-502T.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/Panasonic-SB-PM500-with-z-502t_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/Panasonic-SB-PM500-with-z-502t_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/Panasonic-SB-PM500-with-z-502t.jpg" class="horizontal" title="Panasonic-SB-PM500-with-z-502t.jpg" alt="Budget, yes. Audiophile, no. Panasonic SB-PM500 speakers with a
ZK-502T amplifier" width="720" height="476" loading="lazy"&gt; &lt;/picture&gt;
&lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;Budget, yes. Audiophile, no. Panasonic SB-PM500
speakers with a ZK-502T amplifier&lt;/span&gt; &lt;span class="meta"&gt; &lt;span
class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.5, 1/20 sec, ISO 1600
&lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;&lt;em&gt;Sidenote: for me, it seems like that with cheap class-D amps one
needs a lot of luck with speaker pairing. As I wrote before&lt;a
href="#fn3" class="footnote-ref" id="fnref3"
role="doc-noteref"&gt;&lt;sup&gt;3&lt;/sup&gt;&lt;/a&gt; moving from a Topping MX3 to a NAD C
316BEE V2, which is still a budget amp, for the Dali Oberon 5 pair we
have was an insane difference. Maybe higher end class-D is good, but in
my very limited experience, the cheap ones are prone to speaker pairing,
so consider getting a used AB class amplifier instead.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Another sidenote: some years ago I had the chance to bring my
beloved-as-teen speakers from home - just the speakers, as the CD player
of the base unit was dead already (SA-AK18). Since then I learnt the
phrase "black plastic crap&lt;a href="#fn4" class="footnote-ref"
id="fnref4" role="doc-noteref"&gt;&lt;sup&gt;4&lt;/sup&gt;&lt;/a&gt;" - and once I heard
those old, space-grey, futuristic speakers against the small ones, I
understood why the term. The smaller ones were better in every possible
way, and I ended up donating the old ones. The lesson here: looks are
deceiving for an untrained eye, especially for young, untrained
eyes.&lt;/em&gt;&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/panasonic-sa-ak18_large.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/panasonic-sa-ak18_large.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/panasonic-sa-ak18.jpg" class="horizontal" title="panasonic-sa-ak18.jpg" alt="I don&amp;#39;t have photos of my own old system, I snatched this from eBay.
It played a lot of trance and metal. I was a teen around
2000." width="720" height="354" loading="lazy"&gt; &lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;I don't have photos of my own old system, I snatched
this from eBay. It played a lot of trance and metal. I was a teen around
2000.&lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;Ever since the Oberons I've been after better speakers for this
small, limited, super near field listening space (LOL) for years. I
think what was holding me back was knowing that the amp not up to
driving real speakers so I kept putting the topic off.&lt;/p&gt;
&lt;p&gt;I was very close to buying and AudioEngine A1, tiny, active pair,
that's discontinued now. Not the A2 - the A1 still had the power supply
in the box, as I'm getting very tired of external power bricks. It
turned out: the A1 doesn't have grills, which is a must with a 3.5 year
old in the house. The longer he doesn't know there's something behind
the cover, the better. I also started reading up on the Adam Audio D3V,
but the inner voice was telling me I wouldn't like them. And it also has
a power brick.&lt;/p&gt;
&lt;p&gt;Recently, however, things got shaken up a bit because of a box of
cassettes.&lt;/p&gt;
&lt;h2 id="the-revenge-of-the-box-of-compact-cassettes"&gt;The Revenge of the
Box of Compact Cassettes&lt;/h2&gt;
&lt;p&gt;We were back at home in Hungary recently, where my father keeps
giving me my own boxes filled with my own things that I still have at
their place.&lt;/p&gt;
&lt;p&gt;It's entirely valid, but it's not always simple to move my things via
commercial airplanes: to make it worth it I need to pack an extra,
exactly 20kg luggage. This time I managed, and I ended up with a large
set of cassettes - which are apparently making a comeback to mainstream
media?!&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/box-o-cassettes_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/box-o-cassettes_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/box-o-cassettes.jpg" class="horizontal" title="box-o-cassettes.jpg" alt="Music was different 30+ years ago" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;Music was different 30+ years ago&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.5, 1/20
sec, ISO 100 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;To at least have some vague idea what's on them I also brought my
Panasonic walkman and my Aiwa dictaphone - both dead.&lt;/p&gt;
&lt;p&gt;The Panasonic needed new belts: they were just crumbles at this
point. It was playing too slow, but this was a relatively easy fix,
though not measured yet, as I don't have an oscilloscope.&lt;/p&gt;
&lt;figure&gt;
&lt;picture&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/oscilloscope.jpg" class="horizontal" title="oscilloscope.jpg" alt="I really should buy an oscilloscope." width="582" height="428" loading="lazy"&gt;
&lt;/picture&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;I really should buy an oscilloscope.&lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;Regardless, it's left channel is partially dead, possibly a head
alignment problem, and I couldn't yet get to it.&lt;/p&gt;
&lt;p&gt;The Aiwa looks full on dead, and it's not the belts. One day I'll
start working on it. Hopefully.&lt;/p&gt;
&lt;h2 id="so-i-bought-a-cassette-deck"&gt;So I bought a cassette deck&lt;/h2&gt;
&lt;p&gt;To overcome the problem of not having something to play the cassettes
with, and because I never had a proper one, I started I looking on eBay
for a cassette deck. I ended up bidding on a whole stack of JVC:
receiver, phono, tape deck, and ITT speakers, and I won them - for
£13.38 the whole, with a 20 minutes driving. And with the promise of "it
worked when I put it away".&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;When people tell you to be really aware of thing sold as "it
worked when I put it away" you should listen - unless you know how to or
want to learn how to fix things, like me.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The cigarette home smell from the equipment was ruthless. I let them
air for some days, didn't work. I bought some Neutradol spray, sprayed
them let them air many more days, that finally did the job, but they
still puff occasionally. This is despite the fact that they are
basically spotless: barely any dust or anything. Way too many people
smoked in their back in the 'olden days, and it just soaked into
everything.&lt;/p&gt;
&lt;p&gt;The JVC KD-A11&lt;a href="#fn5" class="footnote-ref" id="fnref5"
role="doc-noteref"&gt;&lt;sup&gt;5&lt;/sup&gt;&lt;/a&gt; Stereo Cassette Deck is gorgeous. It
has VU meters, large, physical buttons. It's not high end, as it's a 2
head system, but it's already much more complicated mechanically, than I
was expecting it to be.&lt;/p&gt;
&lt;figure&gt;
&lt;picture&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/jvc-kd-a11-casette-mechanical-components.jpg" class="vertical" title="jvc-kd-a11-casette-mechanical-components.jpg" alt="Looks like fun, doesn&amp;#39;t
it?" width="543" height="720" loading="lazy"&gt; &lt;/picture&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;Looks like fun, doesn't it?&lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;Nearly everything works, except fast forward. Unfortunately it
doesn't seems to be a belt issue, so my desire to learn how to repair
these things will soon come true - once I find the time. &lt;em&gt;Does anyone
have time for sale?&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;It sounds absolutely amazing compared to what I remembered about the
sound of cassettes. Not my old recordings from VIVA through the TV,
recorded by another black plastic crap system; those are miserable
compared to streaming, or even against low quality mp3-s. But the
genuine, store bought ones, those are actually quite nice, so I'm not
entirely stunned about their comeback. I could even do a decent
recording on a Type IV (metal) tape as a test.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_KD-A11_01_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_KD-A11_01_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_KD-A11_01.jpg" class="horizontal" title="JVC_KD-A11_01.jpg" alt="the front of JVC KD-A11" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;the front of JVC KD-A11&lt;/span&gt; &lt;span class="meta"&gt;
&lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.5, 1/30 sec, ISO 800
&lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_KD-A11_02_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_KD-A11_02_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_KD-A11_02.jpg" class="horizontal" title="JVC_KD-A11_02.jpg" alt="the front profile of JVC KD-A11" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;the front profile of JVC KD-A11&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.5, 1/30
sec, ISO 800 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_KD-A11_03_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_KD-A11_03_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_KD-A11_03.jpg" class="horizontal" title="JVC_KD-A11_03.jpg" alt="the back of JVC KD-A11" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;the back of JVC KD-A11&lt;/span&gt; &lt;span class="meta"&gt;
&lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.5, 1/30 sec, ISO 800
&lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;h2 id="but-i-also-bought-a-turntable"&gt;But I also bought a
turntable?&lt;/h2&gt;
&lt;p&gt;Because it was the full stack from 1980, it had turntable. I was told
that the JVC L-A11&lt;a href="#fn6" class="footnote-ref" id="fnref6"
role="doc-noteref"&gt;&lt;sup&gt;6&lt;/sup&gt;&lt;/a&gt; got a new belt, and that it's fixed
now. Well... no.&lt;/p&gt;
&lt;p&gt;The belt was indeed replaced, but that was far from the only
problem:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;completely, rock solid stuck spindle&lt;/li&gt;
&lt;li&gt;warped and twisted stylus&lt;/li&gt;
&lt;li&gt;misaligned cartridge&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Now the rest is also fixed - thanks to &lt;span class="citation"
data-cites="12voltvids"&gt;@12voltvids&lt;/span&gt; on youtube&lt;a href="#fn7"
class="footnote-ref" id="fnref7" role="doc-noteref"&gt;&lt;sup&gt;7&lt;/sup&gt;&lt;/a&gt; for
the idea to heat the spindle to pull it apart, though it did take a
frightening amount of heating from a heat gun. Unfortunately I scratched
it with the pliers despite the layers of cloth between them, but I was
able to polish it out in the end.&lt;/p&gt;
&lt;p&gt;I bought a new stylus that fits the original cartridge&lt;a href="#fn8"
class="footnote-ref" id="fnref8" role="doc-noteref"&gt;&lt;sup&gt;8&lt;/sup&gt;&lt;/a&gt;,
aligned the cartridge, configured the counterweight. I now have a
working phono - without vinyls, because I bought the stack for the
cassette deck.&lt;/p&gt;
&lt;p&gt;So in order to be able to at least test it bought a Vivaldi: Four
Seasons for a whole £1 in a charity shop - and I was overjoyed with the
sound. Seems like there's definitely a lot of truth about old mastering
quality, because that Vivaldi recording from the 70s packs some
unbelievable detail compared to super-duper hi-res quality whatever in
the streaming services.&lt;/p&gt;
&lt;p&gt;For anyone wondering, it's connected to the NAD, it has a phono
preamp. No, I'm not going to go down the cartridge rabbit hole, it's too
deep, and it's for people with vinyl, which I still don't have, and I
don't really intend to have - it's too expensive.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/jvc-l-a11_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/jvc-l-a11_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/jvc-l-a11.jpg" class="horizontal" title="jvc-l-a11.jpg" alt="JVC L-A11 LP" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;JVC L-A11 LP&lt;/span&gt; &lt;span class="meta"&gt; &lt;span
class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.0, 1/60 sec, ISO 400 &lt;/span&gt;
&lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;h2 id="and-i-now-have-a-vintage-receiver"&gt;And I now have a vintage
receiver?&lt;/h2&gt;
&lt;p&gt;The receiver, JVC R-S11&lt;a href="#fn9" class="footnote-ref"
id="fnref9" role="doc-noteref"&gt;&lt;sup&gt;9&lt;/sup&gt;&lt;/a&gt;, is mint. Apart from two
dead bugs that were inside the display - cleaned now -, it's in perfect
condition. No dead capacitors, barely any dust inside.&lt;/p&gt;
&lt;p&gt;There were spots I thought are leaking capacitors, only to learn that
some capacitors are glued down.&lt;/p&gt;
&lt;p&gt;The pots and meters needed cleaning, those made a lot of cracking
sound, isopropyl alcohol was my friend here. All the contact sprays
contain terrible things, I'll try to stay away from them.&lt;/p&gt;
&lt;p&gt;Anyhow, the receiver is a beauty, and it sounds amazing for it's
age.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_R-S11L_01_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_R-S11L_01_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_R-S11L_01.jpg" class="horizontal" title="JVC_R-S11L_01.jpg" alt="JVC R-S11L Stereo Receiver front" width="720" height="405" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;JVC R-S11L Stereo Receiver front&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.0, 1/30
sec, ISO 800 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_R-S11L_03_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_R-S11L_03_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_R-S11L_03.jpg" class="horizontal" title="JVC_R-S11L_03.jpg" alt="JVC R-S11L Stereo Receiver back" width="720" height="405" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;JVC R-S11L Stereo Receiver back&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.0, 1/30
sec, ISO 800 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_R-S11L_06_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_R-S11L_06_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_R-S11L_06.jpg" class="horizontal" title="JVC_R-S11L_06.jpg" alt="JVC R-S11L Stereo Receiver front, turned off" width="720" height="404" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;JVC R-S11L Stereo Receiver front, turned off&lt;/span&gt;
&lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.0,
1/30 sec, ISO 800 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_R-S11L_07_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_R-S11L_07_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/JVC_R-S11L_07.jpg" class="horizontal" title="JVC_R-S11L_07.jpg" alt="JVC R-S11L Stereo Receiver inside opened up" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;JVC R-S11L Stereo Receiver inside opened up&lt;/span&gt;
&lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/5.6,
1/20 sec, ISO 800 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;h2 id="and-late-60s-speakers"&gt;And late '60s speakers?!&lt;/h2&gt;
&lt;p&gt;&lt;strong&gt;I ended up selling the ITT KS 665 speakers on eBay already -
I don't have the space for them&lt;/strong&gt;. I hope someone is going to be
extremely happy, given they got it for £0.99 plus delivery.&lt;/p&gt;
&lt;p&gt;I need to be realistic about restoring something that I need to learn
how to do from scratch, considering my free time scarcity. It would be a
waste to store these in the shed for a decade, only to let them rot
away. Considering their age, they sounded surprisingly nice in vocal and
high range, so they'd probably made acceptable studio monitors, given
they are sealed cabinets, but they are hard to drive.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/ITT_KS665_01_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/ITT_KS665_01_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/ITT_KS665_01.jpg" class="horizontal" title="ITT_KS665_01.jpg" alt="The front of ITT KS 665 speakers" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;The front of ITT KS 665 speakers&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.5, 1/60
sec, ISO 400 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/ITT_KS665_04_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/ITT_KS665_04_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/ITT_KS665_04.jpg" class="vertical" title="ITT_KS665_04.jpg" alt="The side of ITT KS 665 speakers" width="476" height="720" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;The side of ITT KS 665 speakers&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/5.6, 1/60
sec, ISO 800 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/ITT_KS665_05_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/ITT_KS665_05_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/ITT_KS665_05.jpg" class="horizontal" title="ITT_KS665_05.jpg" alt="The back of ITT KS 665 speakers" width="720" height="476" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;The back of ITT KS 665 speakers&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.5, 1/60
sec, ISO 800 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;h2 id="different-small-speakers-however..."&gt;Different, small speakers,
however...&lt;/h2&gt;
&lt;p&gt;As told in the beginning, I have been eye-ing upgrades for the
Panasonics for quite a while now, but various things kept holding me
back.&lt;/p&gt;
&lt;p&gt;During the summer I went to a bar, Flakon&lt;a href="#fn10"
class="footnote-ref" id="fnref10" role="doc-noteref"&gt;&lt;sup&gt;10&lt;/sup&gt;&lt;/a&gt;,
in Budapest, with friends - only to be greeted with 4, very Dali-looking
speakers inside. &lt;em&gt;People, please, PLEASE put audiophile speakers at
more venues, bars, cafés. They can deliver music at much lower volume,
so people can hear each other. It's a wonderful experience.&lt;/em&gt; It kept
bothering me because I couldn't find them in the lineup, but their
appearance and sound was telling me they can't be old, and that they are
for sure Dali. After some luck I found them: they were Zensor 3-s.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;It's very hard to find information on discontinued lines, even if
they are from 2015, when the internet was already omnipresent and in
everyone's pocket, which is quite annoying. It'd be great to have a
dedicated sections, corners, on manufacturer websites, that act like
museums for old products. I'm also looking at you, IKEA.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;When looking at Zensor 1-s, Oberon 1-s, coughing at the price of
Menuet, I came across a surprise: the Dali Zensor Pico. This thing is
the same size as my Panasonics!&lt;/p&gt;
&lt;table&gt;
&lt;colgroup&gt;
&lt;col style="width: 14%" /&gt;
&lt;col style="width: 9%" /&gt;
&lt;col style="width: 10%" /&gt;
&lt;col style="width: 9%" /&gt;
&lt;col style="width: 17%" /&gt;
&lt;col style="width: 12%" /&gt;
&lt;col style="width: 14%" /&gt;
&lt;col style="width: 10%" /&gt;
&lt;/colgroup&gt;
&lt;thead&gt;
&lt;tr&gt;
&lt;th&gt;&lt;/th&gt;
&lt;th&gt;Width&lt;/th&gt;
&lt;th&gt;Height&lt;/th&gt;
&lt;th&gt;Depth&lt;/th&gt;
&lt;th&gt;Frequency range&lt;/th&gt;
&lt;th&gt;Sensitivity&lt;/th&gt;
&lt;th&gt;Nominal Impedance&lt;/th&gt;
&lt;th&gt;Weight&lt;/th&gt;
&lt;/tr&gt;
&lt;/thead&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;Panasonic SB-PM500&lt;/td&gt;
&lt;td&gt;145mm&lt;/td&gt;
&lt;td&gt;224mm&lt;/td&gt;
&lt;td&gt;197mm&lt;/td&gt;
&lt;td&gt;74 - 27000 Hz -10 dB&lt;/td&gt;
&lt;td&gt;80.5 dB/W&lt;/td&gt;
&lt;td&gt;6Ω&lt;/td&gt;
&lt;td&gt;1.9 kg&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;Dali Oberon 1&lt;/td&gt;
&lt;td&gt;162mm&lt;/td&gt;
&lt;td&gt;274mm&lt;/td&gt;
&lt;td&gt;234mm&lt;/td&gt;
&lt;td&gt;51 - 26000 Hz +/- 3 dB&lt;/td&gt;
&lt;td&gt;86 dB/W&lt;/td&gt;
&lt;td&gt;6Ω&lt;/td&gt;
&lt;td&gt;4.2 kg&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;Dali Zensor 1&lt;/td&gt;
&lt;td&gt;162mm&lt;/td&gt;
&lt;td&gt;274mm&lt;/td&gt;
&lt;td&gt;220mm&lt;/td&gt;
&lt;td&gt;53 - 26500 Hz +/- 3 dB&lt;/td&gt;
&lt;td&gt;86.5 dB/W&lt;/td&gt;
&lt;td&gt;6Ω&lt;/td&gt;
&lt;td&gt;4.2 kg&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;Dali Zensor Pico&lt;/td&gt;
&lt;td&gt;145mm&lt;/td&gt;
&lt;td&gt;232mm&lt;/td&gt;
&lt;td&gt;196mm&lt;/td&gt;
&lt;td&gt;62 - 26500 Hz +/- 3 dB&lt;/td&gt;
&lt;td&gt;84 dB/W&lt;/td&gt;
&lt;td&gt;6Ω&lt;/td&gt;
&lt;td&gt;3.08 kg&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;p&gt;&lt;em&gt;Giving specs at -10 dB, Panasonic, sure, not cheating at all. No
wonder it sounded so boxy.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I found 3 of them on eBay, and won the bid at £83 + £20 delivery -
they were probably satellites in surround system. I love them, and they
fit the unforgivably small space.&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/Panasonic-SB-PM500-next-to-Dali-Zensor-Pico-front-grills_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/Panasonic-SB-PM500-next-to-Dali-Zensor-Pico-front-grills_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/Panasonic-SB-PM500-next-to-Dali-Zensor-Pico-front-grills.jpg" class="horizontal" title="Panasonic-SB-PM500-next-to-Dali-Zensor-Pico-front-grills.jpg" alt="With the covers on it&amp;#39;s only the brand that could give the quality
difference
away" width="720" height="479" loading="lazy"&gt; &lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;With the covers on it's only the brand that could give
the quality difference away&lt;/span&gt; &lt;span class="meta"&gt; &lt;span
class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.5, 1/20 sec, ISO 1600
&lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/Panasonic-SB-PM500-next-to-Dali-Zensor-Pico-backs_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/Panasonic-SB-PM500-next-to-Dali-Zensor-Pico-backs_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/Panasonic-SB-PM500-next-to-Dali-Zensor-Pico-backs.jpg" class="horizontal" title="Panasonic-SB-PM500-next-to-Dali-Zensor-Pico-backs.jpg" alt="The backs start to tell the story better: the unfinished MDF and the
terminals that I added - they were bare wires - compared to the neat
banana plug terminals and the finished
surfaces" width="720" height="476" loading="lazy"&gt; &lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;The backs start to tell the story better: the
unfinished MDF and the terminals that I added - they were bare wires -
compared to the neat banana plug terminals and the finished
surfaces&lt;/span&gt; &lt;span class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s,
35.0 mm, f/4.5, 1/20 sec, ISO 1600 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/Panasonic-SB-PM500-next-to-Dali-Zensor-Pico-fronts_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/Panasonic-SB-PM500-next-to-Dali-Zensor-Pico-fronts_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/Panasonic-SB-PM500-next-to-Dali-Zensor-Pico-fronts.jpg" class="horizontal" title="Panasonic-SB-PM500-next-to-Dali-Zensor-Pico-fronts.jpg" alt="With the covers off the differences are immediately more stark - if
you know what to look
for." width="720" height="479" loading="lazy"&gt; &lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;With the covers off the differences are immediately
more stark - if you know what to look for.&lt;/span&gt; &lt;span class="meta"&gt;
&lt;span class="exif"&gt; PENTAX K-5 II s, 35.0 mm, f/4.5, 1/20 sec, ISO 1600
&lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-L-35mm-F2.4-AL.html"&gt;smc
PENTAX-DA 35mm F2.4 AL&lt;/a&gt; &lt;/span&gt; &lt;span class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;p&gt;Speaker positioning makes a frightening difference. I put them on
two, currently unused cork yoga blocks, and it would be better to get
them even higher, but due to the options available, that's not yet
possible (the monitor arm on the left is in the way).&lt;/p&gt;
&lt;figure&gt;
&lt;a href="https://petermolnar.net/journal/the-office-and-the-vintage/speaker-placement-upgrade_huge.jpg" property="url"&gt;
&lt;picture&gt;
&lt;source media="print" srcset="https://petermolnar.net/journal/the-office-and-the-vintage/speaker-placement-upgrade_huge.jpg"&gt;
&lt;img src="https://petermolnar.net/journal/the-office-and-the-vintage/speaker-placement-upgrade.jpg" class="horizontal" title="speaker-placement-upgrade.jpg" alt="Yoga blocks as desktop speaker stands" width="720" height="669" loading="lazy"&gt;
&lt;/picture&gt; &lt;/a&gt;
&lt;figcaption&gt;
&lt;span class="alt"&gt;Yoga blocks as desktop speaker stands&lt;/span&gt; &lt;span
class="meta"&gt; &lt;span class="exif"&gt; PENTAX K-5 II s, 18.0 mm, f/4.5, 1/10
sec, ISO 1600 &lt;/span&gt; &lt;span class="lens"&gt; ⋅
&lt;a href="https://www.pentaxforums.com/lensreviews/SMC-Pentax-DA-18-135mm-F3.5-5.6-ED-AL-IF-DC-WR.html"&gt;smc
PENTAX-DA 18-135mm F3.5-5.6 ED AL [IF] DC WR&lt;/a&gt; &lt;/span&gt; &lt;span
class="license"&gt; ⋅
&lt;a rel="license" href="https://spdx.org/licenses/CC-BY-NC-ND-4.0.html"&gt;
CC-BY-NC-ND-4.0 &lt;/a&gt; &lt;/span&gt; &lt;/span&gt;
&lt;/figcaption&gt;
&lt;/figure&gt;
&lt;h2 id="some-closing-thoughts"&gt;Some closing thoughts&lt;/h2&gt;
&lt;p&gt;Music has been important for me as long as I can remember, much more,
then equipment, but once I stopped going to loud music parties I started
missing them. &lt;em&gt;I tried playing guitar, but it's not for me, so I'm
thankful to those who can and do play anything.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;I always thought live music or at least from speakers is a whole
level of different experience, then music from headphones, and a recent
study&lt;a href="#fn11" class="footnote-ref" id="fnref11"
role="doc-noteref"&gt;&lt;sup&gt;11&lt;/sup&gt;&lt;/a&gt;&lt;a href="#fn12" class="footnote-ref"
id="fnref12" role="doc-noteref"&gt;&lt;sup&gt;12&lt;/sup&gt;&lt;/a&gt; seem to finally back
it up that resonance, music, etc reaches our cells. Obviously not
limited to musical frequencies, which is probably why Chinese medicine
says the food for the Pericardium Meridian is sunlight.&lt;/p&gt;
&lt;p&gt;All of those healing with sounds things that many people think is
bogus might finally be proved. Cats know this, their purr heals them,
and possibly us as well. I dislike how people think of senses: one for
seeing, one for hearing, etc, when, for example, our whole body feels
heat, yet it's all different wavelength energy. Experiencing with our
whole body should be important.&lt;/p&gt;
&lt;p&gt;If you're like me, and can't go to parties any more, treat yourselves
with some music that reaches your whole body&lt;a href="#fn13"
class="footnote-ref" id="fnref13" role="doc-noteref"&gt;&lt;sup&gt;13&lt;/sup&gt;&lt;/a&gt;,
not just your ears. It's important.&lt;/p&gt;
&lt;section id="footnotes" class="footnotes footnotes-end-of-document"
role="doc-endnotes"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li id="fn1"&gt;&lt;p&gt;&lt;a
href="https://nonstandardhouse.com/laing-easiform-cast-in-situ-house/"
class="uri"&gt;https://nonstandardhouse.com/laing-easiform-cast-in-situ-house/&lt;/a&gt;&lt;a
href="#fnref1" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn2"&gt;&lt;p&gt;&lt;a
href="https://www.flickr.com/photos/68008792@N00/514058709/"
class="uri"&gt;https://www.flickr.com/photos/68008792@N00/514058709/&lt;/a&gt;&lt;a
href="#fnref2" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn3"&gt;&lt;p&gt;&lt;a
href="https://petermolnar.net/article/music-center-chromecast-dlna/index.html"
class="uri"&gt;https://petermolnar.net/article/music-center-chromecast-dlna/index.html&lt;/a&gt;&lt;a
href="#fnref3" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn4"&gt;&lt;p&gt;&lt;a href="https://www.reddit.com/r/blackplasticcrap/"
class="uri"&gt;https://www.reddit.com/r/blackplasticcrap/&lt;/a&gt;&lt;a
href="#fnref4" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn5"&gt;&lt;p&gt;&lt;a
href="https://www.hifiengine.com/manual_library/jvc/kd-a11.shtml"
class="uri"&gt;https://www.hifiengine.com/manual_library/jvc/kd-a11.shtml&lt;/a&gt;&lt;a
href="#fnref5" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn6"&gt;&lt;p&gt;&lt;a
href="https://www.vinylengine.com/library/jvc/l-a11.shtml"
class="uri"&gt;https://www.vinylengine.com/library/jvc/l-a11.shtml&lt;/a&gt;&lt;a
href="#fnref6" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn7"&gt;&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=VqKBFDvCsYw"
class="uri"&gt;https://www.youtube.com/watch?v=VqKBFDvCsYw&lt;/a&gt;&lt;a
href="#fnref7" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn8"&gt;&lt;p&gt;&lt;a href="https://www.ebay.co.uk/itm/251625841580"
class="uri"&gt;https://www.ebay.co.uk/itm/251625841580&lt;/a&gt;&lt;a href="#fnref8"
class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn9"&gt;&lt;p&gt;&lt;a
href="https://www.hifiengine.com/manual_library/jvc/r-s11.shtml"
class="uri"&gt;https://www.hifiengine.com/manual_library/jvc/r-s11.shtml&lt;/a&gt;&lt;a
href="#fnref9" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn10"&gt;&lt;p&gt;&lt;a href="https://maps.app.goo.gl/nAiqwcyLxudCRM548"
class="uri"&gt;https://maps.app.goo.gl/nAiqwcyLxudCRM548&lt;/a&gt;&lt;a
href="#fnref10" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn11"&gt;&lt;p&gt;&lt;a
href="https://scitechdaily.com/your-cells-can-hear-how-sound-waves-rewire-the-body-at-the-cellular-level/"
class="uri"&gt;https://scitechdaily.com/your-cells-can-hear-how-sound-waves-rewire-the-body-at-the-cellular-level/&lt;/a&gt;&lt;a
href="#fnref11" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn12"&gt;&lt;p&gt;&lt;a
href="https://www.nature.com/articles/s42003-025-07969-1"
class="uri"&gt;https://www.nature.com/articles/s42003-025-07969-1&lt;/a&gt;&lt;a
href="#fnref12" class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;li id="fn13"&gt;&lt;p&gt;&lt;a href="https://archive.is/kUyBC"
class="uri"&gt;https://archive.is/kUyBC&lt;/a&gt;&lt;a href="#fnref13"
class="footnote-back" role="doc-backlink"&gt;↩︎&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;/section&gt;</content>
  </entry>
</feed>
